Mohammad Aziz's ' "Bhul Heigala Tate Bhala Pai" was released on its scheduled release date, October 3, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Bhul Heigala Tate Bhala Pai and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bhul Heigala Tate Bhala Pai's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bhul Heigala Tate Bhala Pai by Mohammad Aziz is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mone Tam Do | Masang Hansdah | B♭ Minor | 6 | 3A | 116 BPM | ||
| Kanta Hue Phula | Namita Agrawal | A Minor | 8 | 8A | 128 BPM | ||
| Sindura | Binod Rathod, Nibedita | E♭ Minor | 10 | 2A | 113 BPM | ||
| Kya Gazab Ho Gaya | Mohammed Aziz | G Minor | 6 | 6A | 159 BPM | ||
| Sabuthu Alaga | Babul Supriyo, Namita Agrawal | E♭ Major | 9 | 5B | 100 BPM | ||
| Amah Dular Ting Chhanda Yena | Geeta Singh Baskey | A♭ Minor | 8 | 1A | 85 BPM | ||
| Pahanti Kakara Bhija Bhija | Mohammad Aziz | B Minor | 7 | 10A | 164 BPM | ||
| Premhin Ei Jibon | Andrew Kishore, Kanak Chapa | F♯ Major | 7 | 2B | 152 BPM | ||
| Kharap jhia ra gapa odia jatra title song | Adha Ratira Sathi new odia jatra song | D♭ Minor | 8 | 12A | 146 BPM | ||
| Malliphula | Mohammad Aziz | C Minor | 6 | 5A | 80 BPM | ||
| Aaji Mun Kahuchi | Babul Supriyo | A♭ Major | 7 | 4B | 115 BPM | ||
| Chhabilo Chhabi | Kumar Bapi | A Major | 9 | 11B | 138 BPM | ||
| Sathi Tate Bhala Pae - Satru Sanghara | Kumar Bapi, Tapu Mishra | B♭ Minor | 6 | 3A | 134 BPM | ||
| Roje - Roje Aayi Ae Maiya | Bharat Sharma Vyas | A♭ Major | 4 | 4B | 99 BPM | ||
| Dheu Dheu Ka Pahada Tale | Satyajeet Pradhan, Namita Agarwal | B Minor | 8 | 10A | 89 BPM | ||
| Janha Oothi Thiba | Trupti Das, Debasis Mahapatro | B Minor | 7 | 10A | 100 BPM | ||
| Chikini Gali | UMAKANT BARIK, RABI RATNA BAG | F♯ Minor | 8 | 11A | 120 BPM | ||
| Bada Deula Pakhare Kudia | Mohammad Aziz | F♯ Major | 6 | 2B | 85 BPM | ||
| Bhala Pai Bhuli Galu | Umakanta Barik | E Major | 9 | 12B | 70 BPM | ||
| Jibanata Gote Geeta | Babool Sapriyo | F♯ Major | 8 | 2B | 110 BPM | ||
| Bhal Bhal Ta (Sambalpuri Album : Bhal Bhal Ta) | Old Sambalpuri | F♯ Major | 7 | 2B | 115 BPM | ||
| Chorab Padaka | Pawan Singh | B♭ Minor | 8 | 3A | 81 BPM | ||
| Kala Madhaba | Mohammad Aziz | G Minor | 5 | 6A | 141 BPM | ||
| Jibana Mahabharata Title | manas | D♭ Minor | 10 | 12A | 152 BPM | ||
| Umariya Bhail Ba Yaar Ke | Kalpana Patowary, Binod Rathore | G Minor | 9 | 6A | 159 BPM |