"Puerto Rican In-Laws" by Anjelah Johnson had its release date on October 7, 2016. Puerto Rican In-Laws is considered explicit and may contain foul language. This song is about 3 minutes and 5 seconds, which is about the average length of a typical song. There are a total of 19 in the song's album "Not Fancy". In this album, this song's track order is #13. Puerto Rican In-Laws is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puerto Rican In-Laws by Anjelah Johnson having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Differences Between Rich & Poor | Robby Hoffman | D♭ Major | 5 | 3B | 84 BPM | ||
| Puerto Rican Daughter | Chris Distefano | G Major | 8 | 9B | 105 BPM | ||
| In Defense of Millenials | Gary Gulman | D Major | 8 | 10B | 100 BPM | ||
| Feminist Stats | Rebecca Reeds | F Minor | 2 | 4A | 121 BPM | ||
| Translating | Felipe Esparza | C Major | 4 | 8B | 118 BPM | ||
| It Started with Pho | Anjelah Johnson-Reyes | F♯ Major | 7 | 2B | 146 BPM | ||
| Guy on Bike, Guitar, Liar | Louis C.K. | D♭ Major | 6 | 3B | 171 BPM | ||
| Self-Driving Cars | Kellen Erskine | E Minor | 8 | 9A | 73 BPM | ||
| Cause He's a Dog | Dusty Slay | E Major | 9 | 12B | 151 BPM | ||
| Under a Buck | David Spade | D♭ Minor | 10 | 12A | 147 BPM | ||
| Living by the Airport | Jim Breuer | F♯ Major | 10 | 2B | 85 BPM | ||
| Airport Questions | Kevin James | F♯ Major | 9 | 2B | 168 BPM | ||
| Bad for the Group | Ryan Stout | D♭ Major | 8 | 3B | 112 BPM | ||
| Family Decals | Andy Hendrickson | D Minor | 5 | 7A | 81 BPM | ||
| All The Pretty Horses | Sam Tallent | E♭ Major | 4 | 5B | 78 BPM | ||
| Power of the Ancestors | Roy Wood Jr | B Minor | 4 | 10A | 121 BPM | ||
| Pati | Felipe Esparza | C Major | 4 | 8B | 118 BPM | ||
| Ha-Ha-Ha-Ha | Josh Blue | E Minor | 8 | 9A | 146 BPM | ||
| It's All in How You Look at It | Big Jay Oakerson | D♭ Major | 9 | 3B | 79 BPM | ||
| Go with the Gut | John Heffron | A Major | 3 | 11B | 77 BPM | ||
| Don't Know Who I Am | Josh Johnson | G Major | 6 | 9B | 110 BPM | ||
| Bad Ads | Brad Upton | B♭ Minor | 8 | 3A | 86 BPM | ||
| Urgent Care | Aaron Weber | F♯ Major | 3 | 2B | 112 BPM | ||
| Wife's Code | Jeff Allen | F Major | 7 | 7B | 84 BPM | ||
| "The Great Don Rickles & A Joke He Wouldn't Have Approved Of" | Bob Saget | F♯ Minor | 8 | 11A | 111 BPM |