Alma Cogan's 'I Could Have Danced All Night' had a release date set for 2001. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. I Could Have Danced All Night's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 100 in the song's album "The Girl With A Laugh In Her Voice". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, I Could Have Danced All Night's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Could Have Danced All Night by Alma Cogan having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When I Grow Too Old to Dream | Ruby Murray | B♭ Major | 1 | 6B | 78 BPM | ||
| Message Understood | Sandie Shaw | E Major | 6 | 12B | 110 BPM | ||
| Apresúrate a Mí | Ayo Calvary | C Major | 5 | 8B | 72 BPM | ||
| ペニーズ・フロム・ヘヴン | ジュラ・デ・パルマ | G Minor | 3 | 6A | 129 BPM | ||
| Cuanto La Gusta | Carmen Miranda | F Major | 8 | 7B | 133 BPM | ||
| Ding Dong | The Packards | C Major | 4 | 8B | 163 BPM | ||
| Happy Birthday, Sweet Sixteen | Neil Sedaka | A♭ Major | 8 | 4B | 80 BPM | ||
| Comes A-Long A-Love | Kay Starr | B♭ Major | 4 | 6B | 173 BPM | ||
| The Wonder of You | Ronnie Hilton | C Major | 5 | 8B | 72 BPM | ||
| Hold Me, Thrill Me, Kiss Me | Karen Chandler | F♯ Minor | 1 | 11A | 77 BPM | ||
| A Little Bird Told Me | Evelyn Knight, The Stardusters | C Major | 3 | 8B | 182 BPM | ||
| Moon-Light Swim | Tony Perkins | F Minor | 2 | 4A | 97 BPM | ||
| Counting Teardrops | Emile Ford & The Checkmates | F♯ Minor | 5 | 11A | 137 BPM | ||
| For Me and My Gal | Gene Kelly | D Major | 2 | 10B | 95 BPM | ||
| Hernando's Hideaway | Archie Bleyer & His Orchestra | C Minor | 6 | 5A | 120 BPM | ||
| Why Don't You Believe Me | Joni James | E♭ Major | 1 | 5B | 72 BPM | ||
| It's All Been Done Before | Ronnie Hilton, Alma Cogan | C Minor | 2 | 5A | 122 BPM | ||
| More Than Ever | Malcolm Vaughan | D♭ Minor | 3 | 12A | 72 BPM | ||
| This Is My Song | Petula Clark | F Major | 4 | 7B | 97 BPM | ||
| What Do You Want to Make Those Eyes at Me for | Emile Ford & The Checkmates | F♯ Minor | 5 | 11A | 137 BPM | ||
| Makin' Love - Digitally Mastered 1988 | Floyd Robinson | F♯ Major | 6 | 2B | 117 BPM | ||
| Hey Baby | Paul & Paula | C Major | 5 | 8B | 72 BPM | ||
| Forget Me Not | Eden Kane | E Major | 5 | 12B | 129 BPM | ||
| She Wears Red Feathers | Guy Mitchell | D Major | 5 | 10B | 200 BPM | ||
| Hello Baby | Alma Cogan | D♭ Major | 9 | 3B | 133 BPM |