Georg Philipp Telemann, Paul O'Dette, Boston Early Music Festival Orchestra's ' "Suite in D Major, TWV 55:D23: I. Ouverture" was released on its scheduled release date, September 27, 2024. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Georg Philipp Telemann, Paul O'Dette, Boston Early Music Festival Orchestra's "Georg Philipp Telemann: Ino · Opera Arias for Soprano" album is number 1 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite in D Major, TWV 55:D23: I. Ouverture is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite in D Major, TWV 55:D23: I. Ouverture by Georg Philipp Telemann, Paul O'Dette, Boston Early Music Festival Orchestra to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
| Telemann: Tafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: III. Gratioso | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Georg Faust, Rainer Kussmaul | A Major | 0 | 11B | 114 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| Concerto grosso No. 9 in F Major, Op. 6: II. Allemanda (Allegro) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 3 | 12B | 114 BPM | ||
| Concerto grosso No. 1 in A Major: I. Adagio (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
| Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 93 BPM | ||
| Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
| Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
| Les Boréades, RCT 31: Entrée de Polymnie (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | F Major | 1 | 7B | 101 BPM | ||
| Flute Concerto in G Major, RV 436: III. Allegro | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | F♯ Major | 1 | 2B | 116 BPM | ||
| Sonata for 4 Violins in C Major, TWV 40:203: IV. Allegro | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 2 | 1B | 127 BPM | ||
| Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": I. Andante - Spirituoso | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 88 BPM | ||
| Concerto in G Minor, No. 2, RV 104, La notte: I. Largo - Fantasmi - Presto | Antonio Vivaldi, Frans Brüggen, Orchestra Of The 18th Century | F♯ Minor | 2 | 11A | 146 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": II. Moderato | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 124 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Introduttione II in F Major, Op. 4 No. 2: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | C Minor | 1 | 5A | 98 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
| Recorder Concerto in F Major: II. (Siciliano) | Giuseppe Sammartini, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra | B Minor | 0 | 10A | 97 BPM | ||
| Symphony in G Major, Op. 3 No. 1, WolS G2: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | A Major | 2 | 11B | 111 BPM | ||
| Concerto a cinque No. 5, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 3 | 1B | 109 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM |