"Suite - From Jezebel, 1938" by Max Steiner had its release date on 1934. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 23 in Best BETTE DAVIS Movie Themes by Bette Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Suite - From Jezebel, 1938 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite - From Jezebel, 1938 by Max Steiner is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ballroom: Fifty Percent | Billy Goldenberg, Dorothy Loudon, Les Scott | E♭ Major | 3 | 5B | 80 BPM | ||
| Moscow Nights | Ketty Lester | G Minor | 2 | 6A | 107 BPM | ||
| Why Can't You Behave | Ann Miller | F Major | 2 | 7B | 124 BPM | ||
| Broadway Baby | Elaine Stritch | F Major | 5 | 7B | 117 BPM | ||
| So Long Dearie | Carol Channing, Shepard Coleman | B♭ Major | 2 | 6B | 103 BPM | ||
| The Grass is Always Greener | Lauren Bacall, Marilyn Cooper, Woman of the Year Orchestra | G Major | 3 | 9B | 101 BPM | ||
| I Put My Hand In | Carol Channing, Hello, Dolly! Ensemble, Shepard Coleman | E♭ Major | 2 | 5B | 119 BPM | ||
| She Cried (He Cried) | The Shangri-Las | A Minor | 1 | 8A | 107 BPM | ||
| Put the Blame on Mame (Theme from Gilda Original Soundtrack) | Rita Hayworth | A Minor | 1 | 8A | 107 BPM | ||
| Amore Per Tutti | Nino Rota | A♭ Major | 4 | 4B | 167 BPM | ||
| It Don't Worry Me | Barbara Harris, Keith Carradine | G Major | 4 | 9B | 128 BPM | ||
| Top Hat, White Tie and Tails | Fred Astaire | F Minor | 2 | 4A | 111 BPM | ||
| Loneliness | Bette Davis | A♭ Major | 1 | 4B | 113 BPM | ||
| This Room Is My Castle Of Quiet | Dr. Samuel J. Hoffman, Billy May | E Minor | 1 | 9A | 102 BPM | ||
| Gloomy Sunday | Ketty Lester | D♭ Major | 2 | 3B | 82 BPM | ||
| Fuego | miguel el salsero | C Major | 3 | 8B | 92 BPM | ||
| Welcome To Holiday Inn | Soundtrack/Cast Album | F♯ Major | 4 | 2B | 134 BPM | ||
| Title Song - From Pocket Full of Miracles, 1961 | Jimmy Van Heusen | C Minor | 1 | 5A | 80 BPM | ||
| Welcome To The Theatre | Charles Strouse, Lauren Bacall | B Major | 3 | 1B | 120 BPM | ||
| In the Long Run | Stu Phillips, Lynn Carey, Barbara Robison | D Major | 5 | 10B | 124 BPM | ||
| My Pussy Belongs to Daddy - Remastered | Fay Richmonde | G Minor | 2 | 6A | 80 BPM | ||
| Lullaby From Rosemary's Baby, Part 2 | Krzysztof Komeda, Mia Farrow | C Minor | 3 | 5A | 115 BPM | ||
| Give Him A Great Big Kiss | The Shangri-Las | G Major | 7 | 9B | 84 BPM | ||
| One Hundred Easy Ways | Rosalind Russell | F Minor | 2 | 4A | 68 BPM | ||
| Tammy | Debbie Reynolds | A Minor | 1 | 8A | 107 BPM |