- BPM
- 121
- Key
- C Minor
- Camelot
- 5A
Credo by MartÍn Palmeri Song Details
"Credo" by MartÍn Palmeri had its release date on January 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in MartÍn Palmeri's "Misatango/Misa A Buenos Aires" album is number 3 out of 6. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, Credo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Credo by MartÍn Palmeri to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -11.608 dB
- Acousticness
- 96%
- Danceability
- 27%
- Energy
- 33%
- Instrumentalness
- 1%
- Liveness
- 11%
- Loudness
- 81%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tabula Rasa | Don MacDonald, Allison Girvan | D Major | 1 | 10B | 76 BPM | |
 | Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | |
 | Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | E Minor | 0 | 9A | 138 BPM | |
 | Sobre las Cautro Estaciones: II. Verano | MartÍn Palmeri, Orkiestra Kameralna Polskiego Radia Amadeus, Agnieszka Duczmal | C Major | 3 | 8B | 84 BPM | |
 | Requiem No. 1 in C Minor: Dies irae | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 137 BPM | |
 | Kyrie, R. 587: 3. Adagio - Allegro: Kyrie eleison | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | |
 | Tango Gloria: Qui tollis peccata mundi | MartÍn Palmeri, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | D Major | 1 | 10B | 101 BPM | |
 | Ave Generosa | Ola Gjeilo, The Choir of Royal Holloway | G Minor | 2 | 6A | 139 BPM | |
 | Requiem in D Minor, K. 626: III. Sequenz "Lacrimosa" | Wolfgang Amadeus Mozart, musicAeterna, Teodor Currentzis, The New Siberian Singers | A Minor | 0 | 8A | 95 BPM | |
| Misa a Buenos Aires Mistango: III. Credo | MartÍn Palmeri, Orkiestra Kameralna Polskiego Radia Amadeus, Chór Kameralny Uniwersytetu im. Adama Mickiewicza, Agnieszka Duczmal | C Minor | 2 | 5A | 73 BPM | |
 | Requiem in D Minor, K .626: II. Kyrie | Wolfgang Amadeus Mozart, Ensemble Pygmalion, Raphael Pichon | A Minor | 5 | 8A | 79 BPM | |
 | Misa Tango: IV. Sanctus | MartÍn Palmeri, Astoria, Philippe Gérard | F Major | 1 | 7B | 79 BPM | |
 | Debussy Cakewalking | Belize Ensemble | C Minor | 1 | 5A | 83 BPM | |
 | Chichester Psalms: III. Psalm 131 – Psalm 133.1 - Live | Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | D♭ Major | 1 | 3B | 66 BPM | |
 | Ecco quel fiero istante, K. 436 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Berlin Philharmonic Wind Ensemble | F Major | 1 | 7B | 76 BPM | |
 | Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | |
 | Carmina Burana: XXI. In trutina | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 170 BPM | |
 | Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | |
 | O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | |
 | À Chloris | Reynaldo Hahn, Samuel Mariño, Jonathan Ware | D♭ Minor | 0 | 12A | 61 BPM | |
 | Psalm 42, Op. 42: I. Coro "Wie der Hirsch schreit" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | G Major | 3 | 9B | 126 BPM | |
| Requiem in D Minor, K .626: III. Sequentia: 6. Lacrimosa - Amen, appendix | Wolfgang Amadeus Mozart, Franz Xaver Süssmayr, Ensemble Pygmalion, Raphael Pichon | A Minor | 5 | 8A | 79 BPM | |
 | Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | |
 | Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | |
 | Sanctus (from 'A Little Jazz Mass') - SATB | Bob Chilcott, The Oxford Choir | A♭ Major | 0 | 4B | 72 BPM |
- ISRC
- ARA230600003
- Label
- L-M Records/RCA Records