"Milonga en re" by Hyperion Ensemble had its release date on April 15, 2005. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 13 in Corso Buenos Aires by Hyperion Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Milonga en re is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Milonga en re by Hyperion Ensemble is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Olivero (Arr. Pugliese) | José Martínez, Cuarteto Soltango | E Major | 3 | 12B | 117 BPM | ||
| Tigre Viejo | Orquesta Típica Andariega | F Minor | 4 | 4A | 102 BPM | ||
| Incomprensión | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Sacále Punta | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Igual Que un Bandoneón | Lucio Demare, Horacio Quintana | D Minor | 3 | 7A | 123 BPM | ||
| El escondite de Hernando | Florindo Sassone Y Su Orquesta | C Major | 3 | 8B | 116 BPM | ||
| Este Es el Rey | Hyperion Ensemble | F♯ Minor | 3 | 11A | 133 BPM | ||
| No Te Apures Cara Blanca | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM | ||
| Fantasía en Tiempo de Tango | Orquesta Típica Sans Souci | D Major | 4 | 10B | 134 BPM | ||
| Arrabalera | Sexteto Milonguero | G Major | 3 | 9B | 103 BPM | ||
| La Yumba | Bandonegro | A Minor | 5 | 8A | 123 BPM | ||
| Quedemonos aqui | Jose Basso, Floreal Ruiz | A♭ Major | 3 | 4B | 118 BPM | ||
| Vida Querida | Osvaldo Fresedo y su Orquesta Típica | C Minor | 4 | 5A | 132 BPM | ||
| No Mientas | Pablo Valle Sexteto | G Minor | 3 | 6A | 137 BPM | ||
| Inspiración | Vale Tango, Andrés Linetzky | C Major | 5 | 8B | 125 BPM | ||
| Negrito | The Alex Krebs Tango Sextet | E Major | 4 | 12B | 98 BPM | ||
| Bien Porteña | Los Reyes Del Tango | C Major | 5 | 8B | 128 BPM | ||
| String Sextet, Op. 45 (1924): III. Burlesca: Allegro Molto Con Spirito | Erwin Schulhoff, Hyperion Ensemble, Annelie Gahl, Gunde Jäch-Micko, Firmian Lermer, Jörg Steinkrauß, Detlef Mielke, Astrid Sulz | A♭ Major | 0 | 4B | 120 BPM | ||
| Buscándote (Arr. Fresedo) | Cuarteto Soltango | C Major | 3 | 8B | 120 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| Dos Corazones | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| Intima | Orquesta Tipica Victor | D Minor | 5 | 7A | 108 BPM | ||
| Zum - Estilo Osvaldo Pugliese | SEXTETO VISCERAL | E Minor | 3 | 9A | 117 BPM | ||
| Sin Sabor | Orquesta Social Tango | G Major | 4 | 9B | 135 BPM | ||
| Pavadita | Sexteto Fantasma | C Major | 5 | 8B | 120 BPM |