Habib Wali Muhammad's ' "Shamsheer Barhana" was released on its scheduled release date, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Habib Wali Muhammad's "Habib Wali Muhammad, Vol. 1590" album is number 11 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, Shamsheer Barhana is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Shamsheer Barhana by Habib Wali Muhammad to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ae Ishq Hamen Barbad | Nayyara Noor | D♭ Minor | 4 | 12A | 83 BPM | ||
| Hum Bhool Gaye Har Bat | Naseem Begum | E♭ Major | 7 | 5B | 102 BPM | ||
| Ae jazba-e-dil | Nayyara Noor | F Major | 4 | 7B | 143 BPM | ||
| Goriye Main Jana Pardes | Reshma, Parvez Mehdi | G Minor | 2 | 6A | 79 BPM | ||
| Bheegi Bheegi Raaton Mein | Mehdi Hassan | B♭ Major | 4 | 6B | 109 BPM | ||
| Roshan O Rakhshan | Habib Wali Muhammad | E♭ Major | 5 | 5B | 127 BPM | ||
| Tere Hothon Ko Salam | Ashok Khosla | E♭ Major | 2 | 5B | 96 BPM | ||
| Ulti Ho Gayi Sab Tadbiren | Begum Akhtar | B♭ Major | 3 | 6B | 114 BPM | ||
| Ishq Mein Ghairta-E-Jazbat | Begum Akhtar | F Major | 4 | 7B | 111 BPM | ||
| Jogan Ban Jaoon Gi | Fareed Ayaz Abu Muhammad Qawwal | D♭ Major | 7 | 3B | 112 BPM | ||
| Beena Tera Naam (From "Naqsh-e-Qadam") | A. Nayyar | F Major | 4 | 7B | 90 BPM | ||
| Kab Aaoge Tum Aaoge | Amanat Ali Khan, Fateh Ali Khan | F♯ Minor | 7 | 11A | 108 BPM | ||
| Jhoom Ke Jab Bhi Aa Jata Hai | Vinod Sehgal | B Major | 3 | 1B | 127 BPM | ||
| La Fata Illah Ali La | Habib Wali Muhammad | E♭ Major | 5 | 5B | 127 BPM | ||
| Hum Bhool Gaye Har Baat (From "Saheli") | Naseem Begum | D Major | 4 | 10B | 107 BPM | ||
| Yeh Kaisi Ajab Dastan Ho Gayi | Suraiya | C Minor | 2 | 5A | 175 BPM | ||
| Jo Main Janti | Fareed Ayaz Abu Muhammad Qawwal | F Major | 1 | 7B | 192 BPM | ||
| Ajnabi Sheher Key | Salman Alvi | F Minor | 6 | 4A | 129 BPM | ||
| Hoke Majboor Mujhe | Mohammed Rafi, Talat Mahmood, Manna Dey, Bhupinder Singh | B Minor | 4 | 10A | 128 BPM | ||
| Aye Kuchh Abr | Runa Laila | B♭ Major | 3 | 6B | 138 BPM | ||
| Sakal Bin Phool Rahi Sarson | Fareed Ayaz Abu Muhammad Qawwal | F♯ Major | 4 | 2B | 74 BPM | ||
| Jhoom Barabar Jhoom - Live | Munni Begum | D♭ Minor | 6 | 12A | 101 BPM | ||
| Kuch Bhi Na Kaha Aur Keh Bhi Gai | Naseem Begum | B Minor | 4 | 10A | 91 BPM | ||
| Door Papiha Bole | Suraiya | B♭ Major | 2 | 6B | 84 BPM | ||
| Dil Hi Dil Mein Khatm Hokar | Chandan Dass | F♯ Major | 6 | 2B | 153 BPM |