Berta Rojas's 'Aconquija' had a release date set for January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Berta Rojas's "Intimate Barrios" album is number 13 out of 20. On top of that, United States appears to be the country where this track was created. Aconquija is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aconquija by Berta Rojas to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite Castellana: Danza | Federico Moreno Torroba, Enno Voorhorst | E Major | 1 | 12B | 88 BPM | ||
| Etude No. 3, Op. 60 (Arr. for Guitar Duo by Troy Gifford) | Matteo Carcassi, Sam Desmet, Troy Gifford | A Major | 2 | 11B | 138 BPM | ||
| Danza in E Minor | Jorge Morel, Celil Refik Kaya | F Minor | 0 | 4A | 139 BPM | ||
| Felicidade | Berta Rojas, Orquesta Sinfónica Nacional del Paraguay | D Major | 2 | 10B | 94 BPM | ||
| Canciones Castellanas | Regino Sáinz de la Maza, Franz Halász | A Minor | 2 | 8A | 95 BPM | ||
| Tango Angelita | Celedonio Romero, Vicente Coves | A Major | 1 | 11B | 96 BPM | ||
| Toledo, Op. 14: Nocturno, Op. 14, "Toledo" | Daniel Fortea, Agustín Maruri | E Minor | 1 | 9A | 83 BPM | ||
| Estudio de trémolo | Joaquin Clerch, Andrea González Caballero | E Minor | 0 | 9A | 94 BPM | ||
| Romance Dt Durandarte | Alexander-Sergei Ramírez | A Major | 0 | 11B | 63 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Gerard Cousins | G Major | 2 | 9B | 129 BPM | ||
| Danza Paraguaya | Berta Rojas | D Major | 2 | 10B | 184 BPM | ||
| El Felipe | Pepe Ferrer, Victor Villadangos | A♭ Minor | 1 | 1A | 172 BPM | ||
| Anido's Portrait: IV. Salsa | Sergio Assad, Berta Rojas | D Major | 1 | 10B | 144 BPM | ||
| For the Grace of God | Bill Russell | D Major | 2 | 10B | 203 BPM | ||
| El cautivo de Tiltil - solo guitar | Gustavo Ripa | A Minor | 2 | 8A | 87 BPM | ||
| Serie Americana: I. Preludio | Hector Ayala, Roberto Aussel | D Minor | 2 | 7A | 106 BPM | ||
| Libero | Pablo Briceño, Sam Desmet | B Minor | 2 | 10A | 144 BPM | ||
| 9 Progressive Exercises & 3 Studies, Op. 40: No. 8, Andante | Leonard Schultz, David Leisner | D Major | 0 | 10B | 98 BPM | ||
| Keyboard Sonata in C Minor, R. 48 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | D Minor | 2 | 7A | 89 BPM | ||
| Triste No. 1 de la Serie Impresiones Argentinas | Maria Luisa Anido, Berta Rojas | A Major | 1 | 11B | 82 BPM | ||
| Milonga del 71 | Victor Villadangos | A Major | 2 | 11B | 92 BPM | ||
| Estudio sin luz | Andrés Segovia, Jason Vieaux | G Minor | 2 | 6A | 131 BPM | ||
| Quatre Bagatelles en forme de Suite Cosmique: I. Le depart | Marco Smaili, Gerard Cousins | G Major | 2 | 9B | 129 BPM | ||
| II Nana (de Suite de Valencia) | Antonio Chover Salom, Carlos Blanco Ruiz | E Major | 0 | 12B | 77 BPM | ||
| Miniatura No.4 - Molinos | Gerson Lizama | D Minor | 2 | 7A | 166 BPM |