Alceste, HWV 45: From high Olympus' top by George Frideric Handel, Paul Elliott, Academy of Ancient Music, Christopher Hogwood Song Details

George Frideric Handel, Paul Elliott, Academy of Ancient Music, Christopher Hogwood's ' "Alceste, HWV 45: From high Olympus' top" was released on its scheduled release date, January 1, 1989. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Christopher Hogwood, Academy of Ancient Music's "Handel: Alceste; Comus" album is number 17 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Alceste, HWV 45: From high Olympus' top is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Alceste, HWV 45: From high Olympus' top by George Frideric Handel, Paul Elliott, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.174 dB
Acousticness: 95%
Danceability: 52%
Energy: 23%
Instrumentalness: 0%
Liveness: 6%
Loudness: 68%
Speechiness: 4%
Valence: 72%

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