On May 10, 2022, the song "Hari Naam Ki Mala" was released by Ravi Raj. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 33 in Aradhana by Ravi Raj. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Hari Naam Ki Mala is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hari Naam Ki Mala by Ravi Raj is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mathae Ma Chamke Chanda | Garima Diwakar | F♯ Minor | 6 | 11A | 155 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Sada Poojegagi | K. J. Yesudas | G Major | 6 | 9B | 130 BPM | ||
| Rasili Ye Rasili | Sanjay Surila | D Major | 7 | 10B | 114 BPM | ||
| Humar Maiya Sunri | Pawan Singh | B Minor | 8 | 10A | 99 BPM | ||
| Danteshwari Dai | Dukalu Yadav | B♭ Minor | 9 | 3A | 82 BPM | ||
| Umma Beku Sai (From "Gadibidi Aliya") | Rajesh Krishnan, Manjula Gururaj, Sangeetha Katti | A Minor | 6 | 8A | 176 BPM | ||
| Nee Jagga Byada | Nizam Alla Khan, B. R. Chaya | E Major | 5 | 12B | 147 BPM | ||
| Naa Onti Iruvaga | Shabbir Dange | F Minor | 8 | 4A | 156 BPM | ||
| Karyeshu Daasi | Ramesh Chandra, K Kalyan | D Minor | 9 | 7A | 145 BPM | ||
| Thumak Thumak Kar Naache | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Gar Zor Mero Chale | Reshmi Sharma | C Minor | 10 | 5A | 108 BPM | ||
| Soruthihudhu Maneya | C. Ashwath | B♭ Major | 5 | 6B | 161 BPM | ||
| Kalnangidda Kstanella | Rajkumar, Ramesh Chandra, K.S. Surekha, Sri Raksha Aravind | C Major | 7 | 8B | 112 BPM | ||
| Mor Johi | Ajay Chouhan, Bheema Banjare | G Major | 8 | 9B | 81 BPM | ||
| Bhagwat Bhagwan Ki Aarti | Devendra Pathak | A♭ Major | 8 | 4B | 82 BPM | ||
| Chhoto Umariya Me Ishq Lagi Gel | Satish Das | E Minor | 8 | 9A | 96 BPM | ||
| Kharo Kharo Yamuna Ji Ro Paani Lage | Jyoti Tiwari | D Major | 7 | 10B | 90 BPM | ||
| Aage Se Dalwalo Rang | Debashish Dasgupta, Soham Chakraborty, Shailja, Priya, Vikrant | D♭ Minor | 9 | 12A | 100 BPM | ||
| Saai Ki Joganiya | Ravi Raj | F♯ Minor | 8 | 11A | 90 BPM | ||
| Bajrang Baan | Ravi Raj | D Major | 7 | 10B | 94 BPM | ||
| Fukab Na Chulhiya | Shivani Singh, Ravi Raj | G Major | 9 | 9B | 123 BPM | ||
| Ganga Ki Har Mauj Mein Maine Shiv Ki Moorat Dekhi Hai (From "Chal Kaanwariya Shiv Ke Dham") | Hariharan | B♭ Minor | 8 | 3A | 184 BPM | ||
| Sai Naam Ki Masti | Ravi Raj | F♯ Minor | 8 | 11A | 90 BPM | ||
| Yaake Badidadthi Thamma | K. Yuvaraj | F Minor | 8 | 4A | 108 BPM |