On November 15, 1996, the song "Hum To Chuppe Kaini" was released by Tara Rani. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Chhod Kalaiya Na by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Hum To Chuppe Kaini is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Hum To Chuppe Kaini by Tara Rani is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Been Bajaun Tujhe Bulaun | Mohammed Aziz | D Minor | 8 | 7A | 91 BPM | ||
| Luski Lusa Gaali Re | Umakant Barik, Santanu Sahoo | F♯ Major | 7 | 2B | 103 BPM | ||
| Hiya Basu | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Nao Hai Lambe | Kamla Rathore, Ramkripal Rai, Geeta | F♯ Minor | 9 | 11A | 125 BPM | ||
| Log Kehete Hain Ki | Santanu Sahoo | C Minor | 9 | 5A | 91 BPM | ||
| Thai To Sacha Ho Tap Dhari | Moinuddin Manchala | F♯ Major | 9 | 2B | 96 BPM | ||
| Jind Yar Di | Surinder Shinda | A♭ Minor | 4 | 1A | 87 BPM | ||
| Pivala Pitambar | Anand Shinde | F Minor | 4 | 4A | 94 BPM | ||
| Tola Aise Rangahu Turi Fagun Ma | Nilkamal Vaishnav | F Minor | 9 | 4A | 120 BPM | ||
| Achcha Sila Diya Tune | Attaullah Khan | E♭ Major | 6 | 5B | 111 BPM | ||
| Mazha Bhimacha Navan Kunku Lavila | Sushma Devi | D♭ Major | 5 | 3B | 169 BPM | ||
| Dil Tsooran Hai | Raaj Begum and Naseem Akhtar | C Minor | 6 | 5A | 87 BPM | ||
| Ada Mama Nee | Ilaiyaraaja, Vaali, Mano | B♭ Major | 5 | 6B | 137 BPM | ||
| Hum Ta Mangani Aajan - Baajan (Dwar Pooja) | Sharda Sinha | E Minor | 6 | 9A | 109 BPM | ||
| Mayi Darbar Chala | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Beqadran Lokan Wich | Gurdas Maan | D♭ Minor | 7 | 12A | 144 BPM | ||
| Shankarashivasena | Kalabhavan Mani | E Minor | 8 | 9A | 115 BPM | ||
| RADHA DHUNDH RAHI | Nidhi Dholkiya | F Minor | 7 | 4A | 174 BPM | ||
| Daran De Na Wo | Jiya Rani | A Major | 10 | 11B | 110 BPM | ||
| Dekh Kar Ram Ji Ko | Pawan Singh | B♭ Minor | 8 | 3A | 77 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM | ||
| Piya Mora Leke Aile | Madan Rai | F♯ Major | 7 | 2B | 103 BPM | ||
| Soniyachi Ugavali Sakaal | Anand Shinde | C Major | 5 | 8B | 89 BPM | ||
| Laagta Bhula Gayilu | MANOJ TIWARI | F♯ Minor | 6 | 11A | 156 BPM |