On June 30, 2016, the song "Olympic Mess - Beatrice Dillon Remix" was released by Helm. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 2 in the song's album "Olympic Mess Remixes". In this album, this song's track order is #2. Based on our statistics, Olympic Mess - Beatrice Dillon Remix's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Olympic Mess - Beatrice Dillon Remix by Helm having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Exist In A Fog | Helm | A♭ Major | 6 | 4B | 144 BPM | ||
| Wind Up - Helm Remix | Shopping, Helm | A Minor | 5 | 8A | 141 BPM | ||
| The Point of It All | Fennesz | G Minor | 3 | 6A | 87 BPM | ||
| Acres of Gold | Nocturnal Emissions | A♭ Major | 2 | 4B | 84 BPM | ||
| In Summer | Jefre Cantu-Ledesma | D Major | 4 | 10B | 109 BPM | ||
| Aboard the Apollo | HTRK | E Major | 0 | 12B | 69 BPM | ||
| The Goat | Pan Daijing | C Minor | 1 | 5A | 129 BPM | ||
| The Crossing Guard | Dedekind Cut | F♯ Minor | 0 | 11A | 79 BPM | ||
| Ziad Jarrah Studied Mathematics | Vatican Shadow | A Minor | 4 | 8A | 142 BPM | ||
| Lizard In Fear | Helm | A Major | 2 | 11B | 114 BPM | ||
| Mellified | Rafael Anton Irisarri | A Minor | 3 | 8A | 76 BPM | ||
| Red Velvet or Nothing | Belong | G Major | 4 | 9B | 73 BPM | ||
| Walking in a spiral towards the house: Side C | Nivhek | F Major | 1 | 7B | 71 BPM | ||
| And Therefore The Moonlight | Ian William Craig | A♭ Major | 1 | 4B | 129 BPM | ||
| Pier | Torus, DJ Lostboi | C Minor | 2 | 5A | 90 BPM | ||
| Claustrophobe | Pye Corner Audio | G Major | 1 | 9B | 105 BPM | ||
| data.vortex | Ryoji Ikeda | A Major | 4 | 11B | 86 BPM | ||
| Before I Leave | Fennesz | B Major | 6 | 1B | 106 BPM | ||
| Rawabet | Helm | F♯ Major | 2 | 2B | 105 BPM | ||
| Solid Snake | Car Culture | F♯ Minor | 3 | 11A | 82 BPM | ||
| Narkopop 2 | GAS | B Major | 2 | 1B | 110 BPM | ||
| Selva Oscura 1.2 | William Basinski, Lawrence English | A♭ Major | 2 | 4B | 75 BPM | ||
| Chaos Rain | Actress, London Contemporary Orchestra | D♭ Major | 7 | 3B | 151 BPM | ||
| Avril | Venus Ex Machina | B♭ Major | 3 | 6B | 110 BPM | ||
| Zauberberg 4 | GAS | D♭ Major | 5 | 3B | 122 BPM |