"String Trio Op. 20: 1. Sehr langsam" by Anton Webern, Emerson String Quartet had its release date on January 1, 1995. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Webern: Works for String Quartet; String Trio Op.20 by Anton Webern, Emerson String Quartet, MaryAnn McCormick. The song's track number on the album is #19 out of 23 tracks. Based on our data, Germany was the country where this track was produced or recorded. String Trio Op. 20: 1. Sehr langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since String Trio Op. 20: 1. Sehr langsam by Anton Webern, Emerson String Quartet has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With String Trio Op. 20: 1. Sehr langsam being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | ||
| Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento (Live) | Dmitri Shostakovich, Martha Argerich, Sergei Nakariakov, Alexander Verdernikov, Orchestra della Svizzera Italiana | C Major | 1 | 8B | 81 BPM | ||
| Rêverie, Op. 24 | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Première rhapsodie, L. 116: Première rhapsodie, CD 124b | Claude Debussy, Franklin Cohen, The Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM | ||
| The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | ||
| Sonata for Violin and Piano No. 1 in F Minor, Op. 80: I. Andante assai | Sergei Prokofiev, Gidon Kremer, Martha Argerich | A♭ Major | 0 | 4B | 97 BPM | ||
| 2 Pieces for Cello and Piano: Langsam | Anton Webern, Clemens Hagen, Oleg Maisenberg | A Major | 1 | 11B | 157 BPM | ||
| Janacek: The Diary of One Who Disappeared, JW V/12: No. 13, Andante "Intermezzo erotico" | Leoš Janáček, Ian Bostridge/Ruby Philogene/Thomas Adès | E Major | 0 | 12B | 170 BPM | ||
| Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | D Minor | 0 | 7A | 127 BPM | ||
| Symphony No. 1: I. [Quarter Note = 60] | Galina Ustvolskaya, London Philharmonic Orchestra, Christian Karlsen | C Major | 0 | 8B | 136 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | F Minor | 4 | 4A | 109 BPM | ||
| Piano Concerto in C Major, Op. 39: II. Pezzo giocoso. Vivacemente, ma senza fretta - Live | Ferruccio Busoni, Boston Symphony Orchestra, Sakari Oramo, Kirill Gerstein | F♯ Minor | 2 | 11A | 100 BPM | ||
| Quartet, Op. 22 for Violin, Clarinet, Saxophone & Piano: I. Sehr mässig | Anton Webern, Ensemble Intercontemporain, Pierre Boulez, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 115 BPM | ||
| Satie: Préludes flasques (pour un chien): No. 3, Chanson canine | Erik Satie, Michel Legrand | C Major | 2 | 8B | 121 BPM | ||
| Meine Seele erhebt den Herren, BWV 648 (Arr. Thomas for Piano Trio) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | C Major | 0 | 8B | 72 BPM | ||
| Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Maurice Ravel, Beaux Arts Trio | D♭ Major | 0 | 3B | 117 BPM | ||
| 12 Notations pour piano: V Doux et improvisé | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 83 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Schoenberg: 3 Piano Pieces, Op. 11: No. 2, Mässige Achtel | Arnold Schoenberg, Daniel Barenboim | B♭ Major | 0 | 6B | 134 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 114 BPM | ||
| 6 Lieder nach Gedichten von Georg Trakl, Op. 14: 6. Gesang einer gefangenen Amsel - 2021 Remastered Version | Anton Webern, Robert Craft, Grace-Lynne Martin, Hugo Raimondi, William Ulyate, Ralph Schaeffer, Emmet Sargeant | G Major | 0 | 9B | 107 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XVIII. Stille vor dem Sturm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Major | 3 | 6B | 147 BPM | ||
| Études, Book 1: No. 1, Désordre | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 5 | 3B | 114 BPM |