原信夫とシャープス・アンド・フラッツ's ' "Those Were the Days" was released on its scheduled release date, June 1, 1969. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Those Were the Days's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Dynamic Brass by 原信夫とシャープス・アンド・フラッツ. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Those Were the Days's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Those Were the Days by 原信夫とシャープス・アンド・フラッツ is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bucket's Got a Hole in It | Kid Ory | F Major | 6 | 7B | 145 BPM | ||
| Moon Face | Giorgio Cuscito | G Minor | 3 | 6A | 118 BPM | ||
| ド・レ・ミの歌 | 見砂直照と東京キューバンボーイズ, 原信夫とシャープス&フラッツ | B Minor | 8 | 10A | 135 BPM | ||
| 銀座カンカン娘(高峰 秀子) | 高峰秀子 | F Major | 2 | 7B | 125 BPM | ||
| Washboard Blues | Casper Reardon and His Group | F Major | 2 | 7B | 115 BPM | ||
| JOY SPRING | 原信夫とシャープス・アンド・フラッツ, Elvin Jones, Frank Foster | E♭ Major | 7 | 5B | 98 BPM | ||
| Boston Bounce | The Squadronaires | G Major | 6 | 9B | 134 BPM | ||
| Dancer Mouse | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Smoke Gets In Your Eyes | Clifford Brown | F Major | 1 | 7B | 139 BPM | ||
| Sangai-Bushi | 原信夫とシャープス・アンド・フラッツ, 山本邦山 | D Major | 4 | 10B | 207 BPM | ||
| バイ・バイ・ラヴ | Chiemi Eri, 原信夫とシャープス・アンド・フラッツ | F Major | 2 | 7B | 73 BPM | ||
| To Be or Not to Be Flat | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| 皆殺しの歌 | 東京キューバン・ボーイズ, 原信夫とシャープス&フラッツ | A Minor | 3 | 8A | 65 BPM | ||
| Desafinado-Bright Bossa Nova | Lester Lanin | C Major | 3 | 8B | 88 BPM | ||
| Sing You Sinners | Fletcher Henderson | F Major | 2 | 7B | 73 BPM | ||
| 浪漫旅人 | 散步貓 | E Minor | 1 | 9A | 97 BPM | ||
| 小さな花 | Kenichi Tsunoda Big Band | G Minor | 3 | 6A | 130 BPM | ||
| Exit Through the Kitchen Door | The Temporal Orchestra | F Minor | 4 | 4A | 119 BPM | ||
| Minuit au quartier | New Orleans Sound, Maxim Saury | G Minor | 3 | 6A | 105 BPM | ||
| サー・デューク | Kenichi Tsunoda Big Band | F Minor | 4 | 4A | 107 BPM | ||
| Kiyari Kuzushi | 原信夫とシャープス・アンド・フラッツ, 山本邦山 | A♭ Major | 2 | 4B | 101 BPM | ||
| Sweet Jesus | celina suku | F Minor | 3 | 4A | 131 BPM | ||
| Sweet Louisiana | Storyville Jazz Band | F Major | 1 | 7B | 89 BPM | ||
| A Whisper Too Late | Old Jazz Music | D Major | 3 | 10B | 83 BPM | ||
| オルフェの歌(黒いオルフェ) | 見砂直照と東京キューバンボーイズ, 原信夫とシャープス&フラッツ | F Minor | 5 | 4A | 135 BPM |