"What Have We Gotten Ourselves Into" by Locked, Roland Bingaman had its release date on August 15, 2023. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. What Have We Gotten Ourselves Into's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "The Synchronicity Files". In this album, this song's track order is #5. What Have We Gotten Ourselves Into is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What Have We Gotten Ourselves Into by Locked, Roland Bingaman having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Night Kitchen | Captain Plantain, Locked | F Minor | 6 | 4A | 107 BPM | ||
| Neo Tokyo | David Chappell | F Minor | 8 | 4A | 120 BPM | ||
| Polymerization | Yohei Kuriko, MrEpicOSTs | A♭ Major | 7 | 4B | 142 BPM | ||
| Abysswalker | Leveller Beats | E♭ Minor | 7 | 2A | 115 BPM | ||
| Wired Solitude - Jayber Theme | Stephen Barton | B♭ Minor | 9 | 3A | 120 BPM | ||
| Radioactive Dreams | Locked, Cybernetic Symphony | E♭ Minor | 8 | 2A | 57 BPM | ||
| Habanera | Joseph William Morgan | D Major | 5 | 10B | 115 BPM | ||
| Odissey | LUDEN, Sara Mun | C Minor | 5 | 5A | 90 BPM | ||
| Pandemic | Aleksandar Dimitrijevic | B♭ Minor | 8 | 3A | 101 BPM | ||
| Arden Suite | LUDEN | D Major | 3 | 10B | 87 BPM | ||
| Blue Thistle | Dan Rosen, Locked | D Major | 6 | 10B | 110 BPM | ||
| Devil | Shuka4Beats | B♭ Minor | 8 | 3A | 101 BPM | ||
| Syndicate | Tunetank | F Minor | 5 | 4A | 71 BPM | ||
| Martyr | Totem | F Major | 4 | 7B | 137 BPM | ||
| Beyond the Impasse | Joseph William Morgan | A Minor | 7 | 8A | 150 BPM | ||
| Third Brick on the Left | Cybernetic Symphony, Locked | F♯ Major | 7 | 2B | 125 BPM | ||
| Fiery Dragon | Yohei Kuriko, MrEpicOSTs | D Major | 6 | 10B | 107 BPM | ||
| Take Cover | Jessy Ribordy, Locked | G Major | 5 | 9B | 142 BPM | ||
| Night of Heroes | Francesco D'andrea | A Minor | 5 | 8A | 130 BPM | ||
| Upper Bout | Captain Plantain | D Minor | 7 | 7A | 150 BPM | ||
| Strikevoid | Locked, UOEN | D♭ Major | 9 | 3B | 120 BPM | ||
| Between Darkness and Light | Frameshift Music, Fabian Wiestner | D♭ Major | 7 | 3B | 75 BPM | ||
| Snowfields of Ezo | Frameshift Music, Reyjuliand | C Major | 7 | 8B | 137 BPM | ||
| Release Me | Christoffer Isefält, Audio Attack | E Minor | 5 | 9A | 160 BPM | ||
| Negative Space | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | B♭ Minor | 7 | 3A | 120 BPM |