Ravindra Sahni, Mukesh Pandey's 'Gaur Badaniya Touch Kare' had a release date set for April 8, 2021. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Gaur Badaniya Touch Kare and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Gaur Badaniya Touch Kare's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gaur Badaniya Touch Kare by Ravindra Sahni, Mukesh Pandey to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahuwa Me Lagyo Bajar Dhola Aadhe Me Bechugi | Bhupendra Khatana | F♯ Minor | 10 | 11A | 109 BPM | ||
| Jitadi Chhathi Mai | Khesari Lal Yadav | A♭ Major | 10 | 4B | 130 BPM | ||
| Golu Chirkhana | Aasif Sayar Mewati | F Minor | 10 | 4A | 190 BPM | ||
| Aawa Chat ke Mar Ja | Khesari Lal Yadav, Antra Singh Priyanka | D♭ Major | 10 | 3B | 192 BPM | ||
| Pyaar Ba | Shashi Lal Yadav, Prabha Raj | D♭ Major | 10 | 3B | 135 BPM | ||
| Hamke Bandh Ke Marle Ba | Ravindra Sahani | B♭ Major | 8 | 6B | 126 BPM | ||
| Le Le Aaiha Coco Cola | Arun Chhaila Yadav, Anjali Bharti | B♭ Minor | 6 | 3A | 125 BPM | ||
| Nachaniya Sutawa Saiya | Shivani Singh | F♯ Minor | 10 | 11A | 122 BPM | ||
| Daketi Pad Gayi Re | Bhupendra Khatana | D♭ Major | 10 | 3B | 140 BPM | ||
| Goli Thana Me Mariyau Ki Court Me | Amit Ashik, Srishti Bharti | A Minor | 10 | 8A | 141 BPM | ||
| Tundi Niche Sill Meri Todega Ke Na | Beerpal, Sandhya Rani | B♭ Minor | 9 | 3A | 115 BPM | ||
| Chhaudi Patarki | Monu Albela, Shilpi Raj | G Minor | 10 | 6A | 125 BPM | ||
| Janu Ja Sahi | Ritesh Pandey, Shilpi Raj | C Minor | 10 | 5A | 135 BPM | ||
| Salwar Pehni Piyare | Pawan Singh, Shivani Singh | B Minor | 10 | 10A | 140 BPM | ||
| 6 Inch Chhot Kar Dewau | Roshan Rohi | B♭ Major | 10 | 6B | 89 BPM | ||
| Daradiya Hara Ae Piya | Rakesh Mishra, Punita Priya | E♭ Minor | 10 | 2A | 135 BPM | ||
| Chhote Chhote Raho Tohar Tikla | Bansidhar Chaudhary | F♯ Major | 10 | 2B | 150 BPM | ||
| Hamar Choli Hamar Dhori Sab Raure Ba Bhatar | Awadhesh Premi Yadav | B♭ Minor | 10 | 3A | 126 BPM | ||
| Langur H Baitho Deewano Jogan UP Bari Ko | Dinesh Gurjar, Kapil Mastana | E Minor | 10 | 9A | 115 BPM | ||
| Lalten Jara Ke Bhukur Bhukur | Gunjan Singh, Shilpi Raj | F Minor | 9 | 4A | 132 BPM | ||
| Baliya Se Baali | Srishti Bharti | F Minor | 9 | 4A | 123 BPM | ||
| Chiyar Ke Iyar Khichat Rahe Photo | Awadhesh Premi Yadav | A Major | 10 | 11B | 156 BPM | ||
| Lalaki Sadiya | Monu Albela, Shilpi Raj | B Major | 10 | 1B | 130 BPM | ||
| TABLA KE TAAL PA | Vijay Chauhan, Shilpi Raj | F♯ Major | 8 | 2B | 140 BPM | ||
| Mile Aawe Na Ge Chhauri Jaldi Jalake Lalten Ge | CHANDAN MAHTO, Sonam Yadav | G Minor | 10 | 6A | 170 BPM |