Messiah, HWV 56 / Pt. 2: Their Sound Is Gone Out Into All Lands
George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis
The Messiah (Platinum Edition)
1:55 January 1, 2013
BPM
83
Key
E♭ Major
Camelot
5B

Embed

Share Link

Messiah, HWV 56 / Pt. 2: Their Sound Is Gone Out Into All Lands by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Song Details

George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis's ' "Messiah, HWV 56 / Pt. 2: Their Sound Is Gone Out Into All Lands" was released on its scheduled release date, January 1, 2013. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #12. Messiah, HWV 56 / Pt. 2: Their Sound Is Gone Out Into All Lands is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

With Messiah, HWV 56 / Pt. 2: Their Sound Is Gone Out Into All Lands by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-13.577 dB
Acousticness
95%
Danceability
15%
Energy
27%
Instrumentalness
1%
Liveness
7%
Loudness
77%
Speechiness
3%
Valence
49%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Messiah, HWV 56 / Pt. 2: 26. Messiah, HWV 56 / Pt. 2: 26. "He trusted in God"George Frideric Handel, The English Concert, Trevor Pinnock, The English Concert ChoirB Minor110A107 BPM
Traditional: We Wish You a Merry Christmas (Arr. Cullen) by Traditional, Kiri Te Kanawa, Coventry Cathedral Choir, Jouko Harjanne, Lichfield Cathedral Choir, Michael George, Robin Stapleton, BBC PhilharmonicTraditional: We Wish You a Merry Christmas (Arr. Cullen)Traditional, Kiri Te Kanawa, Coventry Cathedral Choir, Jouko Harjanne, Lichfield Cathedral Choir, Michael George, Robin Stapleton, BBC PhilharmonicF♯ Major32B202 BPM
Messiah: Part 1, O Thou that tellest good tidings to Zion (Air, Alto - Chorus) by The SixteenMessiah: Part 1, O Thou that tellest good tidings to Zion (Air, Alto - Chorus)The SixteenD♭ Major23B180 BPM
Wood: Ding Dong Merrily on High by Charles Wood, Choir of King's College, Cambridge, Stephen CleoburyWood: Ding Dong Merrily on HighCharles Wood, Choir of King's College, Cambridge, Stephen CleoburyB♭ Major16B79 BPM
Wachet auf, ruft uns die Stimme BWV 140: Aria duetto: Mein Freund ist mein! (soprano/tenor/oboe) by Mark Radcliffe, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Ian Bostridge, Academy of Ancient MusicWachet auf, ruft uns die Stimme BWV 140: Aria duetto: Mein Freund ist mein! (soprano/tenor/oboe)Mark Radcliffe, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Ian Bostridge, Academy of Ancient MusicA Major211B94 BPM
Gloria: Domine Deus, Agnus Dei by Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerGloria: Domine Deus, Agnus DeiAntonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD♭ Minor012A179 BPM
Czech Christmas Mass in G Major: IX. Communio by Jakub Jan Ryba, Dagmar Mašková, Hana Jedličková, Josef Osladil, Vratislav Vinický, Czech Philharmonic Orchestra, Lubomir MatlCzech Christmas Mass in G Major: IX. CommunioJakub Jan Ryba, Dagmar Mašková, Hana Jedličková, Josef Osladil, Vratislav Vinický, Czech Philharmonic Orchestra, Lubomir MatlC Major58B117 BPM
Messiah, HWV 56, Pt. 2: No. 29, Recit. Thy Rebuke Hath Broken His Heart (Soprano/Tenor) - No. 30, Aria. Behold and See If There Be Any Sorrow Like Unto His Sorrow (Soprano/Tenor) by George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville MarrinerMessiah, HWV 56, Pt. 2: No. 29, Recit. Thy Rebuke Hath Broken His Heart (Soprano/Tenor) - No. 30, Aria. Behold and See If There Be Any Sorrow Like Unto His Sorrow (Soprano/Tenor)George Frideric Handel, Elly Ameling, Academy of St. Martin in the Fields, Sir Neville MarrinerC Major18B83 BPM
Concerto grosso in G Minor, Op. 6 No. 8 Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": I. Vivace – GraveArcangelo Corelli, The English Concert, Trevor PinnockF♯ Minor011A74 BPM
Gloria in D Major, RV 589: IX. Qui tollis peccata mundi by Antonio Vivaldi, Le Concert Spirituel, Herve NiquetGloria in D Major, RV 589: IX. Qui tollis peccata mundiAntonio Vivaldi, Le Concert Spirituel, Herve NiquetE♭ Minor22A130 BPM
We Three Kings by St. Paul's Cathedral ChoirWe Three KingsSt. Paul's Cathedral ChoirA♭ Major14B68 BPM
Good Christian men rejoice by Anonymous, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de CormierGood Christian men rejoiceAnonymous, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de CormierF Major17B92 BPM
Weihnachtsoratorium (BWV 248): Ich will dich mit Fleiß bewahren by Thomanerchor Leipzig, Gewandhausorchester, Georg Christoph BillerWeihnachtsoratorium (BWV 248): Ich will dich mit Fleiß bewahrenThomanerchor Leipzig, Gewandhausorchester, Georg Christoph BillerE Major112B94 BPM
All We Like Sheep Have Gone Astray by The Tabernacle Choir at Temple Square, Orchestra at Temple SquareAll We Like Sheep Have Gone AstrayThe Tabernacle Choir at Temple Square, Orchestra at Temple SquareF Major17B81 BPM
Concerto grosso in F Major, Op. 6, No. 12: I. Preludio: Adagio by Arcangelo Corelli, The English Concert, Trevor PinnockConcerto grosso in F Major, Op. 6, No. 12: I. Preludio: AdagioArcangelo Corelli, The English Concert, Trevor PinnockE Major112B77 BPM
Christmas Oratorio, BWV 248: Chorale and Recitative: Er ist auf Erden kommen arm (Soprano, Bass) by Christian Friedrich Henrici, Janos Tóth, Jozsef Mukk, Ingrid Kertesi, Budapest Failoni Chamber Orchestra, Hungarian Radio Chorus, Judit Nemeth, Johann Sebastian BachChristmas Oratorio, BWV 248: Chorale and Recitative: Er ist auf Erden kommen arm (Soprano, Bass)Christian Friedrich Henrici, Janos Tóth, Jozsef Mukk, Ingrid Kertesi, Budapest Failoni Chamber Orchestra, Hungarian Radio Chorus, Judit Nemeth, Johann Sebastian BachG Major19B90 BPM
Messiah, HWV 56 / Pt. 1: IX. Messiah, HWV 56 / Pt. 1: IX. "O Thou That Tellest Good Tidings to Zion"George Frideric Handel, Anne Sofie von Otter, The English Concert, Trevor Pinnock, The English Concert ChoirD♭ Major13B173 BPM
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David WillcocksC Major38B88 BPM
Matthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. Blute nur, du liebes Herz (Soprano) by Johann Sebastian Bach, Ann Monoyios, English Baroque Soloists, John Eliot GardinerMatthäus-Passion, BWV 244, Pt. 1: No. 8, Aria. Blute nur, du liebes Herz (Soprano)Johann Sebastian Bach, Ann Monoyios, English Baroque Soloists, John Eliot GardinerB♭ Minor03A86 BPM
Comfort Ye, My People by The Choir and Orchestra of Pro ChristeComfort Ye, My PeopleThe Choir and Orchestra of Pro ChristeB Major01B87 BPM
Vom Himmel hoch, MWV A10: Finale. Lob, Ehr sei Gott im hochsten Thron (Chorus) by Felix Mendelssohn, Egbert Junghanns, Ute Selbig, Dresden Kreuzchor, Dresdner Philharmonie, Martin FlämigVom Himmel hoch, MWV A10: Finale. Lob, Ehr sei Gott im hochsten Thron (Chorus)Felix Mendelssohn, Egbert Junghanns, Ute Selbig, Dresden Kreuzchor, Dresdner Philharmonie, Martin FlämigC Major28B90 BPM
Nun komm, der Heiden Heiland, BWV 62: V. Recitativo Nun komm, der Heiden Heiland, BWV 62: V. Recitativo "Wir ehren diese Herrlichkeit"Johann Sebastian Bach, Sybilla Rubens, Sarah Connolly, Collegium Vocale Gent, Philippe HerrewegheA♭ Major04B90 BPM
A La Away In A Manger by EMH Classical Music / Czech Symphony Chamber GroupA La Away In A MangerEMH Classical Music / Czech Symphony Chamber GroupF Minor24A141 BPM
Christmas Suite by Francois-Joseph Gossec, Academy of Ancient Music, Christopher HogwoodChristmas SuiteFrancois-Joseph Gossec, Academy of Ancient Music, Christopher HogwoodB Major01B94 BPM
Israel in Egypt, HWV 54, Pt. II, Israel in Egypt, HWV 54, Pt. II, "Exodus": No. 4, Chorus. They Loathed to Drink of the RiverGeorge Frideric Handel, Myriam Leblanc, Lucie Edel, Lena Sutor-Wernich, Laurence Kilsby, Andreas Wolf, Alexandre Baldo, Le Concert Spirituel, Herve NiquetE♭ Major05B84 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records