"1-2-3-4" by John Murphy had its release date on August 16, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Anonymous Rejected Filmscore by John Murphy. 1-2-3-4 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 1-2-3-4 by John Murphy is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sandman Pt.1 | John Murphy | G Minor | 2 | 6A | 124 BPM | ||
| TVA | Natalie Holt | D♭ Major | 5 | 3B | 108 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| Encom Part II | Daft Punk | B♭ Minor | 4 | 3A | 105 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| Aningaaq | Steven Price | F Major | 0 | 7B | 59 BPM | ||
| In the House In a Heartbeat | Metro Exodus, FFM | D Minor | 5 | 7A | 75 BPM | ||
| Marathon | Junkie XL | D♭ Major | 8 | 3B | 80 BPM | ||
| Meet John Constantine | Brian Tyler, Klaus Badelt | D Major | 1 | 10B | 67 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Terminator Zero | Michelle Birsky, Kevin Henthorn | D♭ Major | 2 | 3B | 114 BPM | ||
| The Animus | Jed Kurzel | A Major | 4 | 11B | 130 BPM | ||
| Mind Heist: Evolution | Zack Hemsey | F Minor | 5 | 4A | 122 BPM | ||
| Listen to the Beethoven | Mark Isham | C Major | 2 | 8B | 128 BPM | ||
| Pruned | Natalie Holt | D♭ Minor | 3 | 12A | 141 BPM | ||
| Final Frontier | Thomas Bergersen | D Major | 1 | 10B | 141 BPM | ||
| Sparta - Night One | Mark Isham | E Major | 5 | 12B | 135 BPM | ||
| San Francisco Spared | Dominic Lewis | D Minor | 6 | 7A | 120 BPM | ||
| Wars of Faith | Audiomachine | C Minor | 4 | 5A | 91 BPM | ||
| Hello Zepp + Overture | Charlie Clouser | C Major | 6 | 8B | 137 BPM | ||
| Temples of Our Gods | M83, Anthony Gonzalez, Joseph Trapanese | B♭ Major | 2 | 6B | 119 BPM | ||
| Her Face | Nathan Johnson | C Major | 1 | 8B | 68 BPM | ||
| The Message | David Fleming, John Murphy | D Major | 7 | 10B | 86 BPM | ||
| Inception x Interstellar: Time & Interstellar Main Theme - Epic Version | 2Hooks | G Major | 4 | 9B | 126 BPM | ||
| Innerwars | Jack Bartman | D Minor | 3 | 7A | 175 BPM |