"Glassworks: I. Opening" by Signal, Michael Riesman had its release date on 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Philip Glass: Glassworks - Live at (le) Poisson Rouge". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Glassworks: I. Opening's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Glassworks: I. Opening by Signal, Michael Riesman having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petal One | Areni Agbabian | F♯ Minor | 0 | 11A | 171 BPM | ||
| Borderland Sorrows | Slow Meadow | E♭ Major | 1 | 5B | 82 BPM | ||
| Adagio in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 0 | 7A | 65 BPM | ||
| Grey Light | Francesco Tristano | G Minor | 0 | 6A | 120 BPM | ||
| By the Roes, and by the Hinds of the Field | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 2 | 4B | 181 BPM | ||
| Sleepers Beat Theme | Ben Lukas Boysen | E♭ Major | 0 | 5B | 166 BPM | ||
| In Metaphor, Solace | Luke Howard | B♭ Minor | 1 | 3A | 116 BPM | ||
| The Return | Library Tapes | E♭ Major | 0 | 5B | 64 BPM | ||
| Für Alina - Extended Version | Arvo Pärt, Alexander Malter | B Minor | 0 | 10A | 68 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| Dot | Chilly Gonzales | D♭ Major | 0 | 3B | 115 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Gardermoen | Julia Kent | G Minor | 1 | 6A | 128 BPM | ||
| The Twelve Theme | Federico Albanese | D♭ Major | 0 | 3B | 135 BPM | ||
| Für Alina (Reprise) | Arvo Pärt, Alexander Malter | F♯ Minor | 0 | 11A | 80 BPM | ||
| Abisme | Shida Shahabi | B♭ Major | 2 | 6B | 135 BPM | ||
| Café | amiina | D Minor | 4 | 7A | 134 BPM | ||
| Umrika | Dustin O'Halloran | G Major | 1 | 9B | 217 BPM | ||
| Gnossiennes No. 1 - Arr. David le Page | Orchestra of the Swan | F Minor | 0 | 4A | 137 BPM | ||
| Sunset on M. | Dardust | A Minor | 4 | 8A | 137 BPM | ||
| Hawaii Oslo | Hania Rani | G Minor | 1 | 6A | 90 BPM | ||
| Avril 14th (Aphex Twin) - Vanessa Wagner Version | Murcof, Vanessa Wagner | F Minor | 1 | 4A | 93 BPM | ||
| Opening | Philip Glass, Bruce Brubaker | C Minor | 0 | 5A | 76 BPM | ||
| Cantus in memoriam Benjamin Britten | Arvo Pärt, Staatsorchester Stuttgart, Dennis Russell Davies | A Minor | 1 | 8A | 95 BPM | ||
| Autumn Falls. | Wouter Dewit | A Minor | 1 | 8A | 132 BPM |