Holger Simon Paulli, Whitefeather Productions's ' "Grand Allegro #1" was released on its scheduled release date, January 1, 2003. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Grand Allegro #1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Whitefeather Productions's "In Step - Advanced Ballet Music For The Final Years" album is number 25 out of 30. On top of that, United States appears to be the country where this track was created. Grand Allegro #1 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Grand Allegro #1 by Holger Simon Paulli, Whitefeather Productions to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Napoli: Introduction | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 0 | 9B | 147 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderato | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | E♭ Major | 0 | 5B | 88 BPM | ||
| Don Quixote, Act IV: Quiteria's Variation | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 102 BPM | ||
| Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
| Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
| Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Coda a la Polacca | Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen | B Minor | 0 | 10A | 139 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| Napoli: Act II: Golfo stops their scape | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | B♭ Major | 1 | 6B | 78 BPM | ||
| Helsted / Paulli : Napoli (Music to the Bournonville's Ballet), Act 3: Pas de six, 4. First Gentleman's Solo (Allegro vivo) | Eduard Helsted, Holger Simon Paulli, Niels Gade, London Festival Ballet Orchestra, Terence Kern, Orchestra of the London Festival Ballet | D Major | 3 | 10B | 127 BPM | ||
| La Bayadere, Act I, Scene 2: 20. "Pantomime - Gamzatti and Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 90 BPM | ||
| Le carnaval des animaux, R. 125: IV. Tortues | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 87 BPM | ||
| Le Corsaire: Act I - "8. Pas de Trois des Odalisques: 3 Odalisques" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 0 | 10B | 174 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
| Aufforderung zum Tanz, Op. 65 (Orch. Berlioz) | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
| La Fille Mal Gardee, Pas de, Act II: Tempo di valse: Men's Variation (Arr. March) | Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 68 BPM | ||
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Raymonda, Act III: Variation 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 145 BPM | ||
| Paulli: The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (d) Variation III | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | A Major | 1 | 11B | 181 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Romeo and Juliet, Op. 64 - Act 2: The Nurse - The Nurse and Romeo | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 139 BPM | ||
| Giselle, Peasant pas de deux, Act I: Allegretto: Adagio (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 133 BPM |