Rajesh Payal Rai, Bimala Rai's ' "He Pyasi Mann" was released on its scheduled release date, January 27, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Sohrabarse Jovan (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Norway. In terms of popularity, He Pyasi Mann is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With He Pyasi Mann by Rajesh Payal Rai, Bimala Rai having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunkai Bhau Chha | Shila Bahadur Moktan, Kunti Moktan | A Major | 6 | 11B | 160 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Timi Chhau Ra | Yash Kumar | D Major | 4 | 10B | 145 BPM | ||
| Ae Ngolsyo Mara | Munal Film Pvt. Ltd. | B Minor | 8 | 10A | 113 BPM | ||
| A Hai Ma Timilai (From "Khalnayak") | Rajesh Payal Rai, Anju Panta, Chetan Sapkota | F♯ Major | 7 | 2B | 88 BPM | ||
| Maile Chhoye Ko Pani Chaldaina | Yash Kumar | B Minor | 7 | 10A | 101 BPM | ||
| Hida Jam Ma Sanga | Khem Century, Mina Budhathoki | D Major | 9 | 10B | 128 BPM | ||
| Naboli Naboli | Prabin Bedwal, Samikshya Adhikari | A Major | 8 | 11B | 160 BPM | ||
| Risaundani Aaphnai | Ram Krishna Dhakal | A♭ Minor | 8 | 1A | 123 BPM | ||
| Sachirakhu Jasto Lagchha | Bharati Ghimire, Kumar Sanu | G Major | 7 | 9B | 79 BPM | ||
| Jiu Paicho | Nogen Limbu | A♭ Major | 3 | 4B | 180 BPM | ||
| Ke Maya Garnu Hunna Ra | Hemant Sharma | G Major | 6 | 9B | 140 BPM | ||
| Doori Majboori Female | Prabisha Adhikari, CD Vijaya Adhikari | C Minor | 8 | 5A | 180 BPM | ||
| Suselile Basantalai Daku Daku jasto | Udit Narayan Jha | E Major | 7 | 12B | 118 BPM | ||
| Kurnu Kuraunu | Anil Singh | C Major | 8 | 8B | 174 BPM | ||
| Timi Nai Mero Sanjha Bihani (From "Jholey") | Rajesh Payal Rai, Rajina Rimal, Hari Lamsal | A Minor | 5 | 8A | 130 BPM | ||
| Timi Uta Ma Yeta | Milan Newar, Rajan Raj Shiwakoti | D Major | 8 | 10B | 140 BPM | ||
| Pachhi Umer Dhalkinchha (From "Chhakka Panja 3") | Nishan Bhattarai, Angila Regmi, Arjun Pokharel | E♭ Major | 8 | 5B | 156 BPM | ||
| Tehi Deuralima | Kandara Band | G Major | 10 | 9B | 100 BPM | ||
| Paschim Pokhara (From "Mr. Ram Krishne) | Umesh Pandey, Devika Bandana, Shambhujeet Baskota | B♭ Minor | 9 | 3A | 104 BPM | ||
| Mero Sansar | Sugam Pokharel | B Minor | 8 | 10A | 130 BPM | ||
| Charile Ta Chhadera | Alok Shree, Ram Krishna Dhakal | D♭ Major | 7 | 3B | 150 BPM | ||
| Yo Mann Le | Yash Kumar | B Minor | 6 | 10A | 143 BPM | ||
| Nabheti Nabheti | Shiva Pariyar | D♭ Minor | 8 | 12A | 109 BPM | ||
| Gala Ratai Gala Ratai | Milan Newar, Prahlad Timalsina, Basanta Sapkota | E♭ Major | 8 | 5B | 99 BPM |