Arthur Sullivan, RTE Concert Orchestra, Andrew Penny's ' "Thespis: No. 4 St. George and the Dragon" was released on its scheduled release date, October 7, 1992. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Sullivan: Ile Enchantee (L') / Thespis". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Thespis: No. 4 St. George and the Dragon's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Thespis: No. 4 St. George and the Dragon by Arthur Sullivan, RTE Concert Orchestra, Andrew Penny having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
| 18. For he's going to marry Yum-Yum | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 2 | 12B | 93 BPM | ||
| The Sorcerer / Act 1: My name is John Wellington Wells | Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 135 BPM | ||
| Gounod: Faust, Act 2: "Vin ou bière, bière ou vin" - "Jeune adepte du tonneau" (Chœur, Wagner) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
| 10. My well-beloved Lord | Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | F♯ Major | 2 | 2B | 83 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
| Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
| 5. Climbing over rocky mountain | Arthur Sullivan, Pauline Wales, Jean Allister, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Major | 2 | 6B | 114 BPM | ||
| Trial by Jury: Scena. Oh Never, Never, Never | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Donald Adams, Richard Stuart, Rebecca Evans, Gareth-Rhys Davies | D Major | 2 | 10B | 70 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Wagner: Lohengrin, Act 3: "Heil! König Heinrich!" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | F Minor | 0 | 4A | 83 BPM | ||
| Trial by Jury: May it please you, m'lud! (Counsel, Plaintiff, Judge, Foreman, Usher, Defendant, Chorus) | Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Matthew Brook, Rebecca Evans, Donald Maxwell, David Thaxton, Neal Davies, James Gilchrist | F Major | 1 | 7B | 107 BPM | ||
| L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
| Il Giasone, Act 1 Scene 14: Dell'antro magico (Arr. for Countertenor & String Quartet by Eric Mouret) | Francesco Cavalli, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
| Pheasants' Chorus (I Pagliacci) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | C Major | 1 | 8B | 117 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM |