Binker and Moses, Max Luthert's 'After The Machine Settles' had a release date set for February 11, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 2 in After The Machine Settles by Binker and Moses. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of After The Machine Settles is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of After The Machine Settles by Binker and Moses, Max Luthert is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Más | Irreversible Entanglements, Aquiles Navarro | D♭ Major | 7 | 3B | 119 BPM | ||
| How Fire Was Made | Binker and Moses | C Major | 6 | 8B | 114 BPM | ||
| Notifications of Nothingness | Søren Skov Orbit | A♭ Major | 4 | 4B | 119 BPM | ||
| EAST CROYDON feat. James Maddren | Petter Eldh, James Maddren | B♭ Minor | 6 | 3A | 135 BPM | ||
| Let's Stay | Hector Plimmer | A Minor | 4 | 8A | 101 BPM | ||
| Cafe San Marco | Shake Stew | C Major | 7 | 8B | 141 BPM | ||
| Cruising | Tony Allen | C Minor | 7 | 5A | 105 BPM | ||
| SV Disco | Tenderlonious | B Major | 4 | 1B | 123 BPM | ||
| Atuo | Fazer | D Minor | 6 | 7A | 96 BPM | ||
| Erzeben Koma | Petter Eldh, Koma Saxo, Antti Lötjönen, Jonas Kullhammar, Mikko Innanen, Otis Sandsjö, Jussi Kannaste, Christian Lillinger, Joonas Riippa, Verneri Pohjola | F Major | 5 | 7B | 104 BPM | ||
| Closing | Cassie Kinoshi, seed. | B♭ Major | 2 | 6B | 85 BPM | ||
| Y.O.Y.O | Moses Boyd | D♭ Major | 9 | 3B | 130 BPM | ||
| Tanner's Tango (feat. Nubya Garcia) | Joe Armon-Jones, Maxwell Owin, Nubya Garcia | A♭ Minor | 6 | 1A | 121 BPM | ||
| Keepers | Brahja | D♭ Major | 4 | 3B | 113 BPM | ||
| Drum Talk (Run’n in the Streets) | The Kahil El'Zabar Quartet, Kahil El'Zabar | D♭ Major | 2 | 3B | 197 BPM | ||
| Beneath the Undertow | Isotope 217 | F♯ Minor | 5 | 11A | 167 BPM | ||
| Pinkham V | Nérija, Nubya Garcia, Shirley Tetteh, Cassie Kinoshi, Sheila Maurice-Grey, Rosie Turton | C Major | 6 | 8B | 132 BPM | ||
| Funky AECO | Art Ensemble Of Chicago | D♭ Major | 4 | 3B | 101 BPM | ||
| Ostron Koma | Petter Eldh, Koma Saxo, Jonas Kullhammar, Mikko Innanen, Christian Lillinger, Otis Sandsjö | B Major | 7 | 1B | 93 BPM | ||
| Don't Lose Your Head (ft. MOTHERBOARD) | Irreversible Entanglements, MOTHERBOARD | C Major | 7 | 8B | 141 BPM | ||
| Teach Me How To Be Vulnerable | Shabaka and the Ancestors | E Minor | 0 | 9A | 84 BPM | ||
| Maria | Tenderlonious | D Major | 6 | 10B | 82 BPM | ||
| No Space Fo Us | Angel Bat Dawid | C Major | 4 | 8B | 108 BPM | ||
| Tango of Love | Idris Ackamoor, The Pyramids | B♭ Minor | 6 | 3A | 125 BPM | ||
| Brotherhood | corto.alto, Franz Von | B♭ Minor | 7 | 3A | 174 BPM |