"Keys to Be" by Express Rising had its release date on 2002. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 7 out of 13 in Express Rising by Express Rising. Keys to Be is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Keys to Be by Express Rising is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unsolved | Gaussian Curve | A Minor | 1 | 8A | 207 BPM | ||
| Sad Nudes | Cate Le Bon, Group Listening | C Major | 3 | 8B | 108 BPM | ||
| Equanimity | Lexx | C Major | 1 | 8B | 144 BPM | ||
| Loop Trail | Fuubutsushi | D♭ Minor | 7 | 12A | 115 BPM | ||
| Who Will Replace Brandon Lee | John Carroll Kirby | A♭ Major | 2 | 4B | 78 BPM | ||
| More Than Love | yes/and | E Minor | 4 | 9A | 81 BPM | ||
| November | Joseph Shabason, Gigi Masin | A Minor | 2 | 8A | 98 BPM | ||
| Water Memory 1 | Emily A. Sprague | G Minor | 1 | 6A | 67 BPM | ||
| Ebb Tide | Houston & Dorsey | C Major | 5 | 8B | 143 BPM | ||
| i: /o | Arp | A Major | 4 | 11B | 122 BPM | ||
| The Magic Eye | The Zenmenn | F Minor | 4 | 4A | 93 BPM | ||
| Leaving | D.K. | E♭ Major | 6 | 5B | 120 BPM | ||
| Plock | Plone | D Major | 4 | 10B | 158 BPM | ||
| Sit Down In My Dream Lady | Kool Music | B Major | 5 | 1B | 100 BPM | ||
| Oh, Why | Balam Acab | D♭ Major | 4 | 3B | 100 BPM | ||
| Still Young | Evenings | E Major | 8 | 12B | 93 BPM | ||
| WhotEvAR | Matthew Tavares | E Major | 6 | 12B | 200 BPM | ||
| Overworld | A.R.T. Wilson | C Major | 0 | 8B | 110 BPM | ||
| Dewdrops | Gaussian Curve | C Major | 1 | 8B | 80 BPM | ||
| The Cloud Room | Pan-American | A Major | 3 | 11B | 104 BPM | ||
| American Dipper | North Americans | E Major | 3 | 12B | 111 BPM | ||
| Last Chances | Kevin McCormick, David Horridge | D Minor | 3 | 7A | 112 BPM | ||
| Quickdance | Kevin McCormick, David Horridge | F Minor | 2 | 4A | 102 BPM | ||
| Zoë | Duke Hugh | G Major | 1 | 9B | 173 BPM | ||
| We Almost Got Lost | Domenique Dumont | G Major | 2 | 9B | 97 BPM |