On June 4, 2013, the song "Moh Maya Hai Makri Jala" was released by Amrish Dhawan, Shweta Rashmi. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sai Charitra, Vol. 1". In this album, this song's track order is #3. Based on our statistics, Moh Maya Hai Makri Jala's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Moh Maya Hai Makri Jala by Amrish Dhawan, Shweta Rashmi having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janani Ni Jod Sakhi | Nidhi Dholakia | B♭ Minor | 3 | 3A | 121 BPM | ||
| Pashu Pakshi Tak Kaise Samajhte Hai Ram Ki Bhasha | Kumar Vishwas | E♭ Minor | 3 | 2A | 88 BPM | ||
| Mukti Ka Koi To Jatan Karale | Sarvesh Mishra | C Minor | 4 | 5A | 86 BPM | ||
| Mere Nikke Jogiya | Dhiraj Sharma | A Minor | 7 | 8A | 102 BPM | ||
| Praniya Bhajile Ne | Hari Bharwad | F Major | 6 | 7B | 151 BPM | ||
| Khali Khali Rihis | Mamta Chandrakar, Sunil Soni | C Major | 8 | 8B | 183 BPM | ||
| Sawan Mahina | Mamta Chandrakar | D♭ Major | 8 | 3B | 148 BPM | ||
| Sai Sai Japa Karo Sai Naam Ras Piya Karo | Paras Jain | E♭ Minor | 9 | 2A | 148 BPM | ||
| Ekli Gher Lai | Amrish Dhawan, Shoma Banerjee | D♭ Major | 7 | 3B | 177 BPM | ||
| Fulge Chiraya | Kavita Vasnik | F Major | 8 | 7B | 135 BPM | ||
| Mere Tan Mein Bhi Ram | Shivani Chanana | A♭ Major | 9 | 4B | 99 BPM | ||
| Fariyadi | Adarsh Dadhich | E♭ Major | 5 | 5B | 120 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| जय संतोषी माता आरती | मैं तो आरती उतारू रे संतोषी माता की | Hari cassettes | F Minor | 4 | 4A | 150 BPM | ||
| Shri Man Narayan Hari Bhaj Man Narayan Hari | Chetna | G Major | 8 | 9B | 98 BPM | ||
| Cheen Liya Mera Bhola Sa Man | Rajesh Goswami | A Minor | 5 | 8A | 79 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Jai Jai Balaknath Yogieshwar | Rakesh Kala | E Major | 4 | 12B | 92 BPM | ||
| Krushna Nu Naam Jene Lidhu Jagatma | Asif Jeriya | A♭ Major | 5 | 4B | 125 BPM | ||
| हाथ बज्र औ ध्वजा बिराजै। | Rekha Rao, Ritesh Mishra | B♭ Major | 10 | 6B | 160 BPM | ||
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Govida Girdhari | Amrish Dhawan | G Major | 4 | 9B | 99 BPM | ||
| Aalo Sharan Tula Mi Samartha | Mahesh Hiremath, Shubhangi Joshi | A Minor | 6 | 8A | 79 BPM | ||
| Rango-Rango Ranubai Ka Hath | Vaishali Sen, Sangeeta Gangrade | G Major | 7 | 9B | 128 BPM | ||
| Dase Wo Mahina Le | Chhaya Chandrakar | F♯ Major | 7 | 2B | 105 BPM |