"Air from Suite No.3" by Johann Sebastian Bach, Gilles Rocha had its release date on February 10, 2009. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Uther Pendragon". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Switzerland. Air from Suite No.3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Air from Suite No.3 by Johann Sebastian Bach, Gilles Rocha having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto in E Major, BWV 1042: III. Allegro Assai | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 3 | 12B | 86 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | ||
| Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | ||
| Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Racha Arodaky | D Minor | 4 | 7A | 132 BPM | ||
| Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
| Prelude No. 3 "Nina's Convention" | John Lewis, Johann Sebastian Bach | C Major | 1 | 8B | 93 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| (Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
| Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | ||
| French Suite No. 1 in D Minor, BWV 812: I. Allemande | Johann Sebastian Bach, Yuan Sheng | D Minor | 2 | 7A | 105 BPM | ||
| Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| Flute Concerto in G Minor, Op. 10/2, RV 439 "La notte": V. Il sonno. Largo – VI. Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
| 2 Morceaux caractéristiques, Op. 164, B. 36: No. 2, Tango (Arr. for Chamber Ensemble by Anonymous) | Isaac Albéniz, Consort Ripieno Concertino | G Major | 1 | 9B | 94 BPM | ||
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
| Sonata in B Minor, K.27: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 1 | 10B | 130 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Sicilienne, BWV 1031 | Valentina Lisitsa | D Minor | 2 | 7A | 73 BPM |