Surender Romeo's ' "Samman Beet Gya" was released on its scheduled release date, January 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Bolan Ka Ke Legi by Surender Romeo. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Samman Beet Gya is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Samman Beet Gya by Surender Romeo is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jad Jad Bheed Pade Bhakta Mein | Amrit Rajasthani Harasar | A♭ Major | 9 | 4B | 90 BPM | ||
| Pratham Dekha Purulia Tea | Samir Karmkar | D♭ Major | 9 | 3B | 112 BPM | ||
| 4-5 Yaar Or Theka Ko Seen Ho | Balli Bhalpur | G Major | 10 | 9B | 126 BPM | ||
| Bagi Tero Yaar Banego | Gajendra Gurjar | F Major | 9 | 7B | 80 BPM | ||
| Bhole Ki Zid | Jaji King, Renuka Panwar | B♭ Minor | 10 | 3A | 126 BPM | ||
| Nakhre Aali | Sandeep Surila, Mukesh Jaji | F♯ Minor | 9 | 11A | 135 BPM | ||
| Taar Dunga Khal | Samvee, Anil Haryanvi, Yashika Sharma | E Minor | 9 | 9A | 122 BPM | ||
| Chanda Ki Chamke Chandani | Bhupendra Khatana | D♭ Major | 10 | 3B | 109 BPM | ||
| Pallu | Payal Barman, Raghav Daksh, Hina Bharti, Vinu Yadav Brajwasi | A Minor | 9 | 8A | 126 BPM | ||
| Ganv Ki Satting Tut Gyi | Bhanwar Khatana | C Minor | 10 | 5A | 105 BPM | ||
| Daaman Aali Hoor | Krishan Chauhan | A♭ Major | 9 | 4B | 170 BPM | ||
| Kamla Madan | Sheenam Katholik, Subhash Foji | E Minor | 8 | 9A | 170 BPM | ||
| Fuhad Naar | Surender Romeo, Mohini Patel, Sara Singh, Aadi Choudhary | B Major | 9 | 1B | 105 BPM | ||
| Tu Jo Kehde (feat.Uttar Kumar) | Rahul Putthi, Uttar Kumar | D♭ Major | 9 | 3B | 96 BPM | ||
| Setting chal rai chaar | Misspriya Bundeli, Manisha, Mister Tufan | F Major | 10 | 7B | 125 BPM | ||
| JATAV DABANG 2 | JS LADLA, LGES MUSIC DISTRIBUTION, LAVI GAUTAM | A Major | 7 | 11B | 135 BPM | ||
| Matlab Ka Sansar (Dj Remix) (feat. Sonu Lohiya) | Sandeep Matnora, Mahesh Nagar, Sonu Lohiya | A♭ Major | 10 | 4B | 132 BPM | ||
| Teri Baaton Ka O Triya | Aadesh Bhati | D♭ Major | 9 | 3B | 130 BPM | ||
| Call Recording Chalegi | Anil Rawat | F Major | 3 | 7B | 66 BPM | ||
| Chori Baithake Ghuamau Defender Me | Satto Gurjar | E♭ Minor | 9 | 2A | 115 BPM | ||
| चंदियो | Champe Khan | F♯ Major | 8 | 2B | 80 BPM | ||
| Khadano Pidi Mati Ko | Bhupendra Khatana | G Major | 10 | 9B | 109 BPM | ||
| Har Saah Naal Tainu Main Dhiyawa | Sonu Saini | B♭ Minor | 10 | 3A | 128 BPM | ||
| To Jesi Hur Na Dekhi | satvir gurjar | E♭ Minor | 10 | 2A | 135 BPM | ||
| Number Laja Gi Koi Aur | Harry Lather, Annu Kadyan | B♭ Major | 6 | 6B | 83 BPM |