"The Tape Recorder" by Max Ablitzer had its release date on August 10, 2021. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Tape Recorder's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Ablitzer's "Ghost Notes" album is number 14 out of 21. In terms of popularity, The Tape Recorder is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Tape Recorder by Max Ablitzer to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Imagine The Place Of Nothingness | Rising Shadows | D Minor | 2 | 7A | 82 BPM | ||
| The Daughter of Darkness | Peter Gundry | D♭ Minor | 2 | 12A | 100 BPM | ||
| No Words | J. M. Quintana Cámara | E Minor | 1 | 9A | 140 BPM | ||
| Windmill Song - Live | Markus Schmidt, Max Ablitzer | E♭ Major | 2 | 5B | 76 BPM | ||
| To fill the void | Mohsen Sokard | E Major | 0 | 12B | 64 BPM | ||
| Ghost Lullaby | Markus Schmidt, Max Ablitzer | E♭ Major | 2 | 5B | 76 BPM | ||
| D'une Mère à Sa Fille | Dark Sanctuary | G Minor | 3 | 6A | 96 BPM | ||
| Beginning to End: Act III | Hendyamps Studios | C Minor | 2 | 5A | 83 BPM | ||
| The Places You Will Never See | Martha Otero, Lunae Lumen | B♭ Minor | 1 | 3A | 140 BPM | ||
| Dark Echos | Yopy Mystic | A Major | 3 | 11B | 120 BPM | ||
| Forbidden Masquerade | Nova Arcadia | C Major | 3 | 8B | 81 BPM | ||
| Shattered Mirror | Jon Algar | E Minor | 3 | 9A | 184 BPM | ||
| Messy Hearts | Moon Ate the Dark | A♭ Major | 1 | 4B | 123 BPM | ||
| Blood Trail | Olivier Deriviere | C Minor | 1 | 5A | 65 BPM | ||
| Flower Song | Max Ablitzer | D Major | 3 | 10B | 83 BPM | ||
| Desert Song | Max Ablitzer | A Minor | 2 | 8A | 111 BPM | ||
| Eylan Suicide | Musica Cthulhiana | G Major | 3 | 9B | 106 BPM | ||
| The last time | Luigi Rubino | A Minor | 2 | 8A | 66 BPM | ||
| Written In Stone | Ólafur Arnalds, Alice Sara Ott | E Minor | 2 | 9A | 82 BPM | ||
| Queen of the Damned | Secession Studios, Greg Dombrowski | C Minor | 4 | 5A | 120 BPM | ||
| Forlorn Whispers on a Moonlit Path | Dahlia's Tear | F Minor | 4 | 4A | 56 BPM | ||
| Memories | Max Ablitzer | G Minor | 1 | 6A | 80 BPM | ||
| Ad Astra | Chasing Mirrors | G Minor | 2 | 6A | 110 BPM | ||
| Dark Magik | Kevin Roy Kerrigan | A Minor | 3 | 8A | 90 BPM | ||
| Demanding | Keyvan Safarzadeh | D Minor | 2 | 7A | 141 BPM |