On 2005, the song "The Tide Full In" was released by Fine Friday, Kris Drever. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Fine Friday's "Mowing the Machair" album is number 3 out of 12. On top of that, United States appears to be the country where this track was created. The popularity of The Tide Full In is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Tide Full In by Fine Friday, Kris Drever to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trip to Portugal | David Kosky, Damien O'Kane | D Major | 7 | 10B | 138 BPM | ||
| The Crate | Graham Mackenzie | B Minor | 4 | 10A | 117 BPM | ||
| True Logic / Late Nights at the Central / The Stig Jig | Pádraig Rynne, Jim Murray, Tara Breen | D Major | 5 | 10B | 122 BPM | ||
| Simon's | Fine Friday, Kris Drever | D Major | 4 | 10B | 172 BPM | ||
| Princess Royal | Sam Sweeney | F♯ Minor | 2 | 11A | 112 BPM | ||
| Last Light / Solstice Night | Olivia Barrett, Ellen Gibling | E♭ Major | 3 | 5B | 96 BPM | ||
| Wheels And Needles | Basco | A Major | 5 | 11B | 120 BPM | ||
| Lone Shanakyle | Dervish | E♭ Major | 2 | 5B | 179 BPM | ||
| Teann Null, Fuirich Thall | Sian | F Major | 3 | 7B | 89 BPM | ||
| Fol the Day-o | The Full English | A♭ Major | 0 | 4B | 110 BPM | ||
| Cúirt Robin Finley | Altan | A Major | 3 | 11B | 107 BPM | ||
| Desman | Naragonia Quartet, Naragonia | C Major | 6 | 8B | 126 BPM | ||
| The Whistle Buoy / The Bell Buoy | Olivia Barrett, Adam Dobres, Adrian Dolan | G Major | 4 | 9B | 139 BPM | ||
| Jean O' Bethelnie (Glenlogie) | Old Blind Dogs | C Major | 5 | 8B | 111 BPM | ||
| A Maid Went to Comber | Lonely Stranded Band | F♯ Minor | 5 | 11A | 168 BPM | ||
| Local Hero | 3 on the Bund | D Major | 5 | 10B | 120 BPM | ||
| The Doll in Cash's Window | Caladh Nua | C Major | 5 | 8B | 113 BPM | ||
| Sir Richard's Song | Janice Burns & Jon Doran | D Major | 2 | 10B | 120 BPM | ||
| Tom Tolley's / Lucy's Two | Melrose Quartet | E Major | 0 | 12B | 97 BPM | ||
| Special People | Fine Friday | D Major | 2 | 10B | 125 BPM | ||
| The Tattie Ball/When Are You Coming Over? | Dougie MacLean | D Major | 4 | 10B | 115 BPM | ||
| Pongu | Ross Ainslie, Ali Hutton | A Major | 6 | 11B | 114 BPM | ||
| The Gaelic Club / Banks of Newfoundland / The Lark on the Strand | Nathan Gourley, Joey Abarta, Owen Marshall | E Major | 6 | 12B | 188 BPM | ||
| Sledburn Fair | Jack Rutter | B♭ Major | 5 | 6B | 118 BPM | ||
| Thug Mi 'n Oidhche | Josie Duncan, Pablo Lafuente | E Major | 1 | 12B | 79 BPM |