Begum Akhtar's ' "Sham-e-Firaq Ab Na" was released on its scheduled release date, January 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Top 10 Ghazal By Faiz Ahmed Faiz". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Sham-e-Firaq Ab Na is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sham-e-Firaq Ab Na by Begum Akhtar having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Insha Jee Utho | Amanat Ali Khan | D Major | 6 | 10B | 80 BPM | ||
| Barre Be Marawat Hain | Surriya Multanikar | E♭ Major | 6 | 5B | 134 BPM | ||
| Aan Milo Sajna | Ajoy Chakrabarty, Parveen Sultana | F Major | 8 | 7B | 60 BPM | ||
| Balamwa Tum Kya Jano Preet (Dadra) | Traditional, Begum Akhtar | D♭ Minor | 4 | 12A | 102 BPM | ||
| Hairat-E-Ishq | Aditya Singh | D♭ Minor | 8 | 12A | 136 BPM | ||
| Har Ek Baat Pe Kehte Ho Tum | Jagjit Singh | F♯ Minor | 2 | 11A | 174 BPM | ||
| Baad Muddat Ke Ye Ghadi Aayee | Suman Kalyanpur, Mohammed Rafi | D Major | 2 | 10B | 172 BPM | ||
| Ham Haal-E-Dil Sunaenge | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Man Re Tu Kahe Na Dheer Dhare | Mohammed Rafi | C Major | 2 | 8B | 128 BPM | ||
| Yaad Koi Aa Raha Hai | Salma Agha | G Major | 4 | 9B | 133 BPM | ||
| Muddat Men Woh Phir | Jagjit Singh | E Major | 3 | 12B | 170 BPM | ||
| Yeh Na Thi Hamari Qismat | Begum Akhtar | F Major | 3 | 7B | 69 BPM | ||
| Hum Bhi Kya Zindagi Guzar | Anup Jalota | A♭ Major | 7 | 4B | 93 BPM | ||
| Ishq Mein Gairat - E - Jazbaat | Begum Akhtar | B♭ Major | 4 | 6B | 111 BPM | ||
| Aah Ko Chahiiye Ek Umar Asar Hone Tak | Begum Akhtar | D Major | 3 | 10B | 83 BPM | ||
| Naam | Pankaj Udhas | A♭ Minor | 2 | 1A | 157 BPM | ||
| Goriye Main Jana Pardes | Parvez Mehdi | A Major | 5 | 11B | 76 BPM | ||
| Hum Se Aaya Na Gaya, From ''Dekh Kabira Roya'' | Talat Mahmood | C Major | 3 | 8B | 167 BPM | ||
| Itni Muddat Baad Mile Ho | Ghulam Ali | B♭ Major | 4 | 6B | 101 BPM | ||
| Ambwa Ki Dariyon Pe | Iqbal Bano | D♭ Major | 6 | 3B | 83 BPM | ||
| Yaad | Pankaj Udhas | D Minor | 2 | 7A | 122 BPM | ||
| Diwana Banana Hai To | Begum Akhtar | F Major | 1 | 7B | 74 BPM | ||
| Chal Mere Saath Hi Chal | Ahmed Hussain, Mohammed Hussain | G Minor | 4 | 6A | 79 BPM | ||
| Phir Usi Rahguzar Par Shayad - Ghazal | Traditional, Ustad Ghulam Ali, Ustad Sultan Khan | F♯ Major | 2 | 2B | 111 BPM | ||
| Dhuan Banake Fiza Mein Uda Diya Mujhko | Lata Mangeshkar | B Minor | 5 | 10A | 103 BPM |