"We Could Rock This Evil Thing Together" by Ramin Djawadi had its release date on January 1, 2011. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 20 in Fright Night (Original Motion Picture Soundtrack) by Ramin Djawadi. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. We Could Rock This Evil Thing Together is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of We Could Rock This Evil Thing Together by Ramin Djawadi is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aphelion | Jesper Kyd, Fired Earth Music | A Minor | 5 | 8A | 100 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| The Great Cleansing | Sonya Belousova, Giona Ostinelli, Lindsay Deutsch | A♭ Minor | 2 | 1A | 120 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| Severus and Lily | Alexandre Desplat | A Minor | 1 | 8A | 68 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Blood Ritual | Klaus Badelt | D Major | 4 | 10B | 181 BPM | ||
| Shawshank Prison - Stoic Theme | Thomas Newman | G Minor | 1 | 6A | 81 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Oppenheimer | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Moonlight Serenade | Klaus Badelt | A Minor | 3 | 8A | 131 BPM | ||
| A Thousand Leagues Out | Roque Baños | C Major | 3 | 8B | 140 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| 1917 | Thomas Newman | G Minor | 0 | 6A | 171 BPM | ||
| The Rains of Castamere | Sigur Rós | F Minor | 2 | 4A | 94 BPM | ||
| Final Frontier | Thomas Bergersen | D Major | 1 | 10B | 141 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| Sayuri's Theme and End Credits | John Williams, Itzhak Perlman, Yo-Yo Ma | C Minor | 2 | 5A | 124 BPM | ||
| The Tree When We Sat Once | Mikolai Stroinski | D Minor | 2 | 7A | 87 BPM | ||
| Antiphon | Nicholas Britell | C Minor | 4 | 5A | 150 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| To Run Or Not To Run | Carter Burwell | G Major | 0 | 9B | 137 BPM | ||
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM |