Roy Ayers, Franck Roger's ' "Come to Me - Franck Roger Main Mix" was released on its scheduled release date, December 1, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Virgin Ubiquity: Remixed EP 5 by Roy Ayers. The song's track number on the album is #5 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Come to Me - Franck Roger Main Mix's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Come to Me - Franck Roger Main Mix by Roy Ayers, Franck Roger has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Come to Me - Franck Roger Main Mix being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harlem River Drive | Bobbi Humphrey | F Minor | 7 | 4A | 100 BPM | ||
| Groovy Kind of Day | Fatback Band | B Minor | 7 | 10A | 119 BPM | ||
| All Because of You | Leroy Hutson | B Minor | 7 | 10A | 87 BPM | ||
| I've Had A Little Talk | Horace Silver | F♯ Major | 8 | 2B | 123 BPM | ||
| 24-Carat Black (Theme) | 24 Carat Black | G Minor | 7 | 6A | 120 BPM | ||
| Wicky Wacky | Fatback Band | G Major | 4 | 9B | 109 BPM | ||
| Help Is On The Way | The Whatnauts | F Minor | 4 | 4A | 104 BPM | ||
| Loran's Dance | Idris Muhammad | B♭ Minor | 6 | 3A | 157 BPM | ||
| I Hear Music in the Streets | Unlimited Touch | B Minor | 6 | 10A | 116 BPM | ||
| Pretty Brown Skin | Roy Ayers | F Major | 6 | 7B | 86 BPM | ||
| My Mind Is Hazy - Long Version | Chocolate Milk | C Major | 4 | 8B | 82 BPM | ||
| Never Was Love | Judy Roberts | E Minor | 7 | 9A | 118 BPM | ||
| 'Tis Your Kind of Music | Graham Central Station | C Minor | 7 | 5A | 97 BPM | ||
| We Can Dream | Lonnie Liston Smith | C Major | 7 | 8B | 119 BPM | ||
| I Am Your Mind (Part 2) | Roy Ayers | D Minor | 6 | 7A | 109 BPM | ||
| Let Your Conscience Be Your Guide | Don Blackman | B♭ Major | 8 | 6B | 122 BPM | ||
| Don't Let It Go to Your Head - 12" Version | Jean Carn | E Major | 4 | 12B | 106 BPM | ||
| Brother's Gonna Work It Out - The Mack/Soundtrack Version | Willie Hutch | F♯ Minor | 6 | 11A | 111 BPM | ||
| Backed Up Against The Wall | The 3 Pieces | B Major | 5 | 1B | 99 BPM | ||
| Reggins | The Blackbyrds | F Minor | 5 | 4A | 98 BPM | ||
| Coming to You Live | Charles Earland | B♭ Minor | 8 | 3A | 115 BPM | ||
| Please Set Me At Ease | Bobbi Humphrey | E Major | 3 | 12B | 70 BPM | ||
| Time Is Passing | Sun | F Minor | 3 | 4A | 120 BPM | ||
| New York Times | Bobbi Humphrey | F♯ Major | 9 | 2B | 98 BPM | ||
| Looking Up to You | Michael Wycoff | G Minor | 6 | 6A | 104 BPM |