On October 24, 2015, the song "Mhari Ude Ri Koyaldi" was released by Kishore Paliwal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 10 in Aashapura Mata Ri Chundadi by Kishore Paliwal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Mhari Ude Ri Koyaldi is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mhari Ude Ri Koyaldi by Kishore Paliwal is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Picham Ri Dharti Su | Prakash Mali | D♭ Major | 10 | 3B | 109 BPM | ||
| Mare Palaniyo Hulra | Shyam Paliwal | F Minor | 7 | 4A | 102 BPM | ||
| Bhawari Ke Chheda | Aagar Anand, Kanti Miri | D♭ Major | 10 | 3B | 127 BPM | ||
| Vo Mujhko Bhula Gai | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Tharo Nirmal Niramal Pani Narbada Maharani | Maa Narmada Nimadi Bhajan | Ashwin Yadav | B♭ Minor | 6 | 3A | 181 BPM | ||
| Nand Na Lala Ne Morli Vala Ne | Jemish Bhagat | A♭ Major | 9 | 4B | 98 BPM | ||
| खाटू जाना से | Raj Pareek | B Major | 9 | 1B | 130 BPM | ||
| Momaji Aavo Para | Chhagan Dewasi | E Minor | 7 | 9A | 95 BPM | ||
| Bhartari Bhoop Bhayo Vairagi | Jeta Goswami | F♯ Major | 7 | 2B | 42 BPM | ||
| Lajiya Rakhje Ramapir | gaman santhal | A♭ Minor | 7 | 1A | 96 BPM | ||
| Tor Jas La Gahoon | OP Dewangan, Kantikartik | D♭ Major | 9 | 3B | 115 BPM | ||
| Bamlai La Sumiranv | OP Dewangan, Kantikartik | B Minor | 9 | 10A | 75 BPM | ||
| Sanwariya Me To Aayo Dwar | Mukesh Mahadeva | F Major | 9 | 7B | 150 BPM | ||
| Shaam Savere Dekhu Tujko Kitna Sundar Roop | Happy Singh | G Minor | 5 | 6A | 140 BPM | ||
| Pungal Gadh Parnai | Shyam Paliwal | B♭ Major | 9 | 6B | 150 BPM | ||
| Man Ke Milauna Johi | Indrani Verma | F♯ Major | 8 | 2B | 81 BPM | ||
| सतगुरु सा री ओल्यू आवे | Anita Jangid | A♭ Major | 9 | 4B | 102 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM | ||
| Koi Pichle Janam Ke Aache Karam Mujhe Baba Tera Pyar Mila | Sadhvi Purnima Ji | A♭ Minor | 9 | 1A | 140 BPM | ||
| Mongra Lagale Lali Baam | Mongra Vishwkarma, Dani Verma | E Major | 9 | 12B | 132 BPM | ||
| Bolo Sai Sai | Mani Ladla | B Major | 9 | 1B | 90 BPM | ||
| Pankhida Lagwade Mahal Mein - Original | Laxman Singh Rawat, Durga Jasraj | A♭ Major | 10 | 4B | 127 BPM | ||
| Tor Bar Marthnv Re | Lahre Deewana, Champa Nishad | A♭ Major | 9 | 4B | 135 BPM | ||
| Jagannath Chaka Nain | Rajesh Chandra | A♭ Major | 7 | 4B | 135 BPM | ||
| Duniya Mein Datar Bahut Hain Dikhlate Datari | Upasana Mehta | F Minor | 9 | 4A | 134 BPM |