"After Hours" by Till Brönner had its release date on June 7, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "That Summer". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. After Hours is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With After Hours by Till Brönner having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Every Time We Say Goodbye | Silje Nergaard | B♭ Major | 2 | 6B | 98 BPM | ||
| 11.03. | Thomas Siffling Trio | C Minor | 3 | 5A | 95 BPM | ||
| They Can't Take That Away from Me | Torsten Goods, Viktoria Tolstoy | A♭ Major | 4 | 4B | 114 BPM | ||
| The First Time Ever I Saw Your Face | Kandace Springs | D Minor | 2 | 7A | 110 BPM | ||
| Once I held a moon | Silje Nergaard | D Major | 3 | 10B | 126 BPM | ||
| Descend | Nighthawks | E Minor | 8 | 9A | 124 BPM | ||
| Wichita Lineman | Lisa Bassenge | A Major | 3 | 11B | 91 BPM | ||
| Ain't Misbehavin' | Peter Cincotti | D Minor | 3 | 7A | 113 BPM | ||
| No One After You | Anjani Thomas | F Minor | 1 | 4A | 118 BPM | ||
| Everybody's Got to Learn Sometimes | Pink Turtle | A Minor | 6 | 8A | 108 BPM | ||
| Follow You, Follow Me | Jeff Cascaro | A♭ Major | 2 | 4B | 63 BPM | ||
| Button Up Your Overcoat | Nnenna Freelon | E Minor | 5 | 9A | 170 BPM | ||
| Route 66 | Carol Welsman | F Minor | 3 | 4A | 137 BPM | ||
| Maxine | Bruno Müller, Till Brönner | E Minor | 2 | 9A | 59 BPM | ||
| Arrivederci | Till Brönner | F Major | 1 | 7B | 62 BPM | ||
| Bittersweet | Club des Belugas, Lene Riebau | G Minor | 3 | 6A | 73 BPM | ||
| The Jazz Detective | Nu Braz, NYC Jazz Quartett, JuJu Song | E Minor | 1 | 9A | 96 BPM | ||
| And I Love Her | Till Brönner | A♭ Minor | 5 | 1A | 104 BPM | ||
| The Lady Wants to Know | Leo Sidran | F♯ Major | 4 | 2B | 106 BPM | ||
| Brown Leather, Cold Room | Ruben Natura | C Minor | 3 | 5A | 177 BPM | ||
| How Am I Supposed to Live Without You | Matteo Brancaleoni | D♭ Major | 4 | 3B | 124 BPM | ||
| What A Diff'rence a Day Made | Ernestine Anderson | B♭ Major | 1 | 6B | 174 BPM | ||
| Perfect Day | Povo | F Minor | 3 | 4A | 96 BPM | ||
| Bewitched, Bothered And Bewildered | Silje Nergaard | A Major | 2 | 11B | 78 BPM | ||
| Place To Hide | Kandace Springs | A Major | 4 | 11B | 93 BPM |