"Regina caeli I" by Antoine Busnois, Andrew Kirkman, The Binchois Consort had its release date on October 1, 2000. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 6 out of 14 in A Marriage of England & Burgundy: Music for a 15th-Century State Occasion by The Binchois Consort, Walter Frye, Andrew Kirkman, Antoine Busnois. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Regina caeli I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Regina caeli I by Antoine Busnois, Andrew Kirkman, The Binchois Consort is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sibylla and Agatha | Erasmus Widmann, Ensemble Galilei | D Minor | 1 | 7A | 125 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Recercada No. 1 | Diego Ortiz, Munir Beken, August Denhard | C Major | 2 | 8B | 141 BPM | ||
| In hydraulis | Antoine Busnois, Diabolus in Musica, Antoine Guerber | G Major | 1 | 9B | 82 BPM | ||
| Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
| Danza alta | Francesco de la Torre, Accentus Ensemble, Thomas Wimmer | A Minor | 1 | 8A | 140 BPM | ||
| Lady Rich, Her Galliard | John Dowland, Nigel North | F♯ Major | 0 | 2B | 83 BPM | ||
| La Folia | 16th century, Circa 1500 | F Major | 0 | 7B | 110 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
| Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
| Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
| Danza Alta | Francesco de la Torre, Baltimore Consort | D♭ Minor | 0 | 12A | 42 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
| Fortune espérée | Antoine Busnois, Purcell Consort Of Voices, Grayston Burgess, Musica Reservata, Michael Morrow | C Major | 2 | 8B | 113 BPM | ||
| Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
| Lady Athenry | Turlough O'Carolan, Ronn McFarlane | A Major | 1 | 11B | 169 BPM | ||
| A Fancy | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 82 BPM | ||
| La zanetta padovana | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 71 BPM | ||
| The Fairy Round (Galliard) | Anthony Holborne, Lutz Kirchhof | F♯ Major | 1 | 2B | 102 BPM | ||
| Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
| La réthorique des dieux, Suite No. 2 in A Major: IV. La coquette virtuosa | Denis Gaultier, Hopkinson Smith | F♯ Minor | 1 | 11A | 56 BPM | ||
| Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM | ||
| Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
| Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM |