Muhammad Al Muqit's 'Call to Prayer (Fajar Adhan)' had a release date set for May 1, 2019. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 14 in Anasheeds, Vol. 7 by Muhammad Al Muqit. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Call to Prayer (Fajar Adhan) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Call to Prayer (Fajar Adhan) by Muhammad Al Muqit is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| يا لطيف - تراث تونسي | Sufism Home الحضرة الصوفية | F♯ Major | 5 | 2B | 92 BPM | ||
| Ya rajai | Meshari Arrada | D Major | 2 | 10B | 144 BPM | ||
| She Is Gone and Left Me | Muhammad Al Muqit | B♭ Minor | 2 | 3A | 75 BPM | ||
| جادك الغيث بدون موسيقى - Acapella | Mohammad Bashir | D Minor | 1 | 7A | 183 BPM | ||
| Lodeghta Katheran | Omar Al Issa | D Minor | 3 | 7A | 113 BPM | ||
| وحضرت أنا واحد النهار | GroupeOfficielTKB | B Minor | 6 | 10A | 127 BPM | ||
| أمي فلسطين | Humood AlKhudher, مشاري العرادة | A♭ Major | 4 | 4B | 100 BPM | ||
| Allahu Yunadeek | Abdul Raziq | F Minor | 1 | 4A | 105 BPM | ||
| عبدالله الجارالله || خفي اللطف || ذكرياتي | Abdullah Aljarallah | B♭ Minor | 5 | 3A | 78 BPM | ||
| أمالنا بالله بدون موسيقى | ABDULAH NAJAR | A Minor | 2 | 8A | 96 BPM | ||
| الصلاة الإبراهيمية | Mohammed Ali Alhebshi - محمد بن علي الحبشي | C Major | 0 | 8B | 79 BPM | ||
| Ezan Jacija | Hafiz Aziz Alili | F Major | 0 | 7B | 123 BPM | ||
| Achko ila Allah | Meshari Arrada | G Minor | 4 | 6A | 100 BPM | ||
| واعلم انك | Mohammed Al Hisayan | F♯ Minor | 3 | 11A | 62 BPM | ||
| Free Gaza | Muhammad Al Muqit | D♭ Minor | 3 | 12A | 100 BPM | ||
| المسك فاح / Al Misku Fah | Khaled Al Atyer | A♭ Major | 7 | 4B | 96 BPM | ||
| Talama achko gharami | Noureddine Khourchid | F Major | 6 | 7B | 114 BPM | ||
| Adhan Saba | Ibrahim Bilčević | E♭ Major | 2 | 5B | 65 BPM | ||
| صوت الاذان | موسى العميرة, محمد عباس | A♭ Major | 4 | 4B | 133 BPM | ||
| يامن يراني | Mohammad Bashir | F Minor | 2 | 4A | 78 BPM | ||
| Awalaysa - Ambient | Nasheen Nasheed | G Major | 0 | 9B | 113 BPM | ||
| Minal Liyali (Ekaa) | Mohammed Al Hisayan | C Major | 5 | 8B | 123 BPM | ||
| Maula Ya Salli | Sarfaraz Naheed | C Major | 3 | 8B | 133 BPM | ||
| Ya Shaheedn | Ahmed Al-Muqit | A♭ Minor | 4 | 1A | 122 BPM | ||
| Light Shined | Muhammad Al Muqit | B♭ Minor | 4 | 3A | 82 BPM |