Patrick Roberts's 'Exodus' had a release date set for January 1, 2010. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in All in Love Is Fair by Patrick Roberts. In terms of popularity, Exodus is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Exodus by Patrick Roberts is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Without You | Patrick Roberts, Pete Ham, Tom Evans, Mark D'Angelo | F Major | 5 | 7B | 132 BPM | ||
| The Mad Mad Crew, Pt. 1 | Ian Rae | D Minor | 1 | 7A | 104 BPM | ||
| Pidele Al Tiempo Que Vuelva | Jorge Espinoza Carrizales | E Minor | 3 | 9A | 129 BPM | ||
| Don't be shy about kindness | Edgar Tuniyants Sergeevich, Edgar Tuniyants | E♭ Minor | 2 | 2A | 101 BPM | ||
| Una furtiva lacrima "l’elisir d’amore" | Alessio Busanel And His Orchestra | B Minor | 0 | 10A | 179 BPM | ||
| Meditation | Henri Seroka | D Major | 2 | 10B | 91 BPM | ||
| Cavatina | Santec Music Orchestra | E Major | 0 | 12B | 148 BPM | ||
| Angelic Evening | Tim Janis | D Major | 5 | 10B | 88 BPM | ||
| To Giovanni Marradi | Laith Al-Baiyaa | G Minor | 2 | 6A | 170 BPM | ||
| You and Me Forever | Tron Syversen | D Minor | 2 | 7A | 79 BPM | ||
| Seeking Serenity | Nicholas Gunn | A Major | 2 | 11B | 84 BPM | ||
| Kuznechik | John Sokoloff | D♭ Minor | 1 | 12A | 88 BPM | ||
| Still Waiting | Celtroya | F Minor | 1 | 4A | 65 BPM | ||
| After Bentha | Ocarina | E Minor | 4 | 9A | 132 BPM | ||
| The Impostor’s Requiem | The Lodger | B Minor | 0 | 10A | 179 BPM | ||
| Time (Inception) | Joslin | G Major | 4 | 9B | 120 BPM | ||
| Highland | Henri Seroka | D Major | 2 | 10B | 98 BPM | ||
| Possible Worlds | Nicolas Le Minh | B Minor | 0 | 10A | 179 BPM | ||
| The Cossack Song... Forever... | Otta Orchestra | G Major | 5 | 9B | 80 BPM | ||
| Atlantis (Instrumental) | David Clavijo, Xavi Morató | B Minor | 0 | 10A | 179 BPM | ||
| Forever in Love (Cello Instumental) | Feliks Volozhanin | A Minor | 2 | 8A | 137 BPM | ||
| Lost in Love | Patrick Roberts, Graham Russell, Russell Hitchcock, Mark D'Angelo | G Major | 4 | 9B | 109 BPM | ||
| Traces of Hope | Back to Earth | B♭ Minor | 1 | 3A | 76 BPM | ||
| An Old Fairy Tale | Bernward Koch | E Minor | 0 | 9A | 96 BPM | ||
| Everlasting | David Foster | A Minor | 1 | 8A | 74 BPM |