"Cyprus Ultima: First Movement" by Paul Leonard-Morgan had its release date on February 19, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Warhammer 40,000: Dawn of War III (Original Soundtrack) by Paul Leonard-Morgan. The song's track number on the album is #11 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Cyprus Ultima: First Movement is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cyprus Ultima: First Movement by Paul Leonard-Morgan has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Cyprus Ultima: First Movement being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missing Helen | Tyler Bates, Joel J. Richard | A Minor | 2 | 8A | 95 BPM | ||
| Ghost Cam | Jack Bartman | D Minor | 3 | 7A | 79 BPM | ||
| Ancient Sands | Sam Hulick | A Minor | 3 | 8A | 135 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| Kmc014 | Lovett | B Major | 4 | 1B | 96 BPM | ||
| Godspeed, Doctor | Jon Ekstrand | D♭ Major | 2 | 3B | 84 BPM | ||
| Seeing with New Eyes | Sarah Schachner | A♭ Major | 0 | 4B | 65 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM | ||
| The Experiment | Mick Gordon | G Major | 4 | 9B | 82 BPM | ||
| A Long Way Back | Jon Ekstrand | D♭ Major | 3 | 3B | 104 BPM | ||
| MEETING NEIL | Ludwig Göransson | D♭ Minor | 2 | 12A | 79 BPM | ||
| Are You a Robot | Philip Glass, Paul Leonard-Morgan | E Major | 0 | 12B | 153 BPM | ||
| Joi | Hans Zimmer, Benjamin Wallfisch | C Major | 2 | 8B | 69 BPM | ||
| Close Probing | Marcin Przybyłowicz | D♭ Minor | 3 | 12A | 130 BPM | ||
| Cornered | Paul Leonard-Morgan | A Minor | 2 | 8A | 95 BPM | ||
| View from the Voyager | ConfidentialMX | F Minor | 0 | 4A | 127 BPM | ||
| The Atlas Crew | Will Bates | F♯ Minor | 4 | 11A | 129 BPM | ||
| Occasionally Scared | Atticus Ross, Leopold Ross, Claudia Sarne | E♭ Major | 2 | 5B | 120 BPM | ||
| Taking over Peach Trees | Paul Leonard-Morgan | E Major | 5 | 12B | 108 BPM | ||
| 402.2 The Other One | Mac Quayle | C Minor | 1 | 5A | 134 BPM | ||
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| Once, There Was an Explosion | Ludvig Forssell | G Minor | 4 | 6A | 130 BPM | ||
| Patri(di)ots | Marcin Przybyłowicz | A Major | 8 | 11B | 90 BPM | ||
| Still Gone | Trent Reznor and Atticus Ross | G Major | 1 | 9B | 96 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM |