"Danzas Cubanas del s. XIX y XX.: Improvisada - Tema de Rachel del film La Bella del Alhambra - Cortesana - Invitación - La Comparsa - Arr. for String Orchestra by Zenaida Romeu - Live, Basílica San Francisco de Asís, 2020" by Ernesto Lecuona, Ignacio Cervantes, Mario Romeu, Zenaida Romeu, Camerata Romeu had its release date on July 18, 2025. This song appears to be safe for all ages as it is not explicit. The song is number 9 out of 10 in Adagios Criollos (Live, Basílica San Francisco de Asís, 2020) by Zenaida Romeu, Camerata Romeu. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Danzas Cubanas del s. XIX y XX.: Improvisada - Tema de Rachel del film La Bella del Alhambra - Cortesana - Invitación - La Comparsa - Arr. for String Orchestra by Zenaida Romeu - Live, Basílica San Francisco de Asís, 2020 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Danzas Cubanas del s. XIX y XX.: Improvisada - Tema de Rachel del film La Bella del Alhambra - Cortesana - Invitación - La Comparsa - Arr. for String Orchestra by Zenaida Romeu - Live, Basílica San Francisco de Asís, 2020 by Ernesto Lecuona, Ignacio Cervantes, Mario Romeu, Zenaida Romeu, Camerata Romeu is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vals del caballero de Gracia | Federico Chueca, Ataúlfo Argenta, Ana Maria Iriarte, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado | A Major | 2 | 11B | 107 BPM | ||
| Elite Syncopations (Arr. I. Perlman for violin and piano) | Scott Joplin, Matthew Trusler, Wayne Marshall | F♯ Major | 2 | 2B | 107 BPM | ||
| La Vida En Rosa | Sergio Golwarz | D Major | 4 | 10B | 90 BPM | ||
| Polka Carmela | Juventino Rosas, Antonio Barberena | D Major | 3 | 10B | 116 BPM | ||
| Les patineurs, Op. 183 (Los Patinadores) | Vienna Volksoper Orchestra, Max Schönherr | A Major | 3 | 11B | 103 BPM | ||
| Liebesleid, Old Viennese Dance No. 2 (Arr. Fougeray for Violin and Guitar) | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | A Major | 1 | 11B | 99 BPM | ||
| Yo Te Quiero Siempre | Ernesto Lecuona | F Major | 2 | 7B | 93 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1 No. 5 (Arr. For Violin) | Johannes Brahms, Lakatos | G Minor | 3 | 6A | 93 BPM | ||
| Yo te quiero siempre | Pink Martini, Ari Shapiro | F Major | 2 | 7B | 93 BPM | ||
| Te quiero dijiste | María Grever, Maria Rebekka Stöhr, Nadine Schuster | F Major | 0 | 7B | 169 BPM | ||
| La Revoltossa | Ataúlfo Argenta | A Major | 2 | 11B | 107 BPM | ||
| Intermezzo, Part. 1 | Luis A. Calvo, Manuel J. Bernal | A♭ Major | 2 | 4B | 71 BPM | ||
| Damisela encantadora | Juan Arvizu, Ernesto Lecuona | F Minor | 2 | 4A | 85 BPM | ||
| Sinfonía Española, Op. 21 - Lalo | Waldo De Los Ríos | A Major | 6 | 11B | 175 BPM | ||
| Jazz Suite No. 2 - Arr. for Accordion R. Galliano: Waltz No. 2 | Richard Galliano | F Major | 3 | 7B | 180 BPM | ||
| La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | ||
| Palomitas Blancas | Ernesto Lecuona | F♯ Major | 0 | 2B | 109 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Violin & Orchestra) | Fritz Kreisler, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | A Minor | 1 | 8A | 93 BPM | ||
| Amor Mío | Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio | C Major | 2 | 8B | 80 BPM | ||
| Bohemios: Coro de Bohemios | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna, Coral Universitaria De La Laguna, Coral "reyes Bartlet" De Puerto De La Cruz | A♭ Major | 4 | 4B | 124 BPM | ||
| Danse Hongroise N°1 en Sol Mineur | Johannes Brahms, Laurent Korcia | G Minor | 3 | 6A | 125 BPM | ||
| Sobre las Olas | Juventino Rosas, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 2 | 9B | 93 BPM | ||
| Estrellita (Arr. Heifetz) | Manuel Ponce, Ray Chen, Julien Quentin | F♯ Major | 1 | 2B | 83 BPM | ||
| Vals del Emperador | Orquesta Concierto de Viena | C Major | 2 | 8B | 177 BPM | ||
| Jesusita en Chihuahua | Juan Ramon Ruiz Urraca, Orquesta Filarmónica de la Ciudad de México, Fernando Lozano | D Major | 3 | 10B | 93 BPM |