On October 31, 2020, the song "Waiting in Line" was released by The Party After. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Waiting in Line only contains only one song in the album, we like to consider this song as a single. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Based on our statistics, Waiting in Line's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Waiting in Line by The Party After has a tempo of 154 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Waiting in Line being at 154 BPM, the half-time would be 77 BPM with a double-time of 308 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Beast | The Haunted North, jeff fabb | D Major | 10 | 10B | 136 BPM | ||
| Wrecking Room | Wrecking Room, Lukas Rossi | B Major | 7 | 1B | 121 BPM | ||
| Come and join the party | Bill Mandara | A Minor | 9 | 8A | 125 BPM | ||
| Hares on the Mountain | Amulius | A♭ Major | 5 | 4B | 84 BPM | ||
| Hellfire | Lonely wanderer | D♭ Major | 9 | 3B | 95 BPM | ||
| Web of Lies | Mental Hippie Blood | F♯ Minor | 9 | 11A | 140 BPM | ||
| A Sight for Sore Eyes | The Party After | D♭ Minor | 8 | 12A | 160 BPM | ||
| Bad Old Habit | Midnight Motel | F Major | 9 | 7B | 200 BPM | ||
| Starstruck | Stages Of Decay | B♭ Minor | 5 | 3A | 140 BPM | ||
| Thrive | Brusic | F Minor | 8 | 4A | 120 BPM | ||
| One For All | The Party After | F Major | 7 | 7B | 148 BPM | ||
| Everything Changes | One Less Reason | C Major | 8 | 8B | 184 BPM | ||
| Wanna Piece? | Diode | F♯ Major | 7 | 2B | 126 BPM | ||
| Hocus Pocus | Wynch, Jason Barker | B Major | 7 | 1B | 121 BPM | ||
| Nothing Left For You | The Lets | G Major | 8 | 9B | 90 BPM | ||
| This Game | Octavate | G Major | 8 | 9B | 107 BPM | ||
| Inside The Wandering Mind | June 101 | D♭ Minor | 8 | 12A | 124 BPM | ||
| Lost Inside | Paranoize | D♭ Major | 4 | 3B | 75 BPM | ||
| Run Through Me | Revel 9 | E Major | 10 | 12B | 77 BPM | ||
| Fractures | Brusic | F Minor | 8 | 4A | 140 BPM | ||
| Sphere | PROSPECT | C Major | 8 | 8B | 84 BPM | ||
| It's so hard for me | M-ROE Music Escape | E♭ Major | 9 | 5B | 145 BPM | ||
| It's All a Lie | Echo Effect | B♭ Minor | 8 | 3A | 142 BPM | ||
| AN INVITATION TO CHAOS | Valyear | B Major | 7 | 1B | 121 BPM | ||
| Blotch | Salad Days. | B♭ Major | 8 | 6B | 142 BPM |