Patti Page's 'Come What May (Après Toi)' had a release date set for June 3, 1997. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 80 in A Golden Celebration by Patti Page. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Come What May (Après Toi) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Come What May (Après Toi) by Patti Page is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Candy Kisses | Danny Kaye, The Regalaires | C Major | 1 | 8B | 125 BPM | ||
| Summer Wind | Jane Morgan | C Major | 3 | 8B | 121 BPM | ||
| All Kinds Of Everything | Slim Whitman | C Major | 2 | 8B | 106 BPM | ||
| The Impossible Dream | Jack Jones | B Major | 4 | 1B | 93 BPM | ||
| I Miss You So | Nat King Cole Trio | F Major | 1 | 7B | 76 BPM | ||
| Scotch And Soda | The Kingston Trio | C Major | 0 | 8B | 102 BPM | ||
| I'll Get By | Harry James | B♭ Major | 1 | 6B | 121 BPM | ||
| You're Nobody 'Til Somebody Loves You | Nat King Cole Trio | C Minor | 1 | 5A | 128 BPM | ||
| These Foolish Things (Remind Me Of You) | Martha Tilton, The Carl Kresstette | A♭ Major | 0 | 4B | 70 BPM | ||
| You Belong to Me | Jane Morgan | F Major | 3 | 7B | 116 BPM | ||
| Sentimental Me | The Ames Brothers | D♭ Major | 4 | 3B | 134 BPM | ||
| Cry | Johnnie Ray, The Four Lads | G Major | 1 | 9B | 70 BPM | ||
| With Open Arms | Jane Morgan | D♭ Major | 4 | 3B | 134 BPM | ||
| I'm Gonna Sit Right Down and Write Myself a Letter | Billy Williams | D♭ Major | 2 | 3B | 138 BPM | ||
| Hey There | Sammy Davis Jr. | F Major | 2 | 7B | 135 BPM | ||
| Left Right Out Of Your Heart | Patti Page | C Major | 5 | 8B | 123 BPM | ||
| Summer Wind - Remastered | Wayne Newton | F♯ Major | 3 | 2B | 115 BPM | ||
| Ballin' The Jack | Danny Kaye | G Major | 3 | 9B | 92 BPM | ||
| Heartbeat | Ruby Murray | B Major | 2 | 1B | 85 BPM | ||
| True Love Ways | Buddy Holly | B♭ Major | 1 | 6B | 83 BPM | ||
| Tulips from Amsterdam | Max Bygraves | D♭ Major | 4 | 3B | 134 BPM | ||
| For Me and My Gal | Gene Kelly | D Major | 2 | 10B | 95 BPM | ||
| Purple Shades | Joni James | C Minor | 2 | 5A | 77 BPM | ||
| The Band Played On | Guy Lombardo | A♭ Major | 1 | 4B | 168 BPM | ||
| Nevertheless (I'm In Love With You) - 1958 version | The Mills Brothers | C Major | 1 | 8B | 79 BPM |