Sheena Easton's 'You Could Have Been With Me' had a release date set for 1981. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of You Could Have Been With Me [Bonus Tracks Version] by Sheena Easton. The song's track number on the album is #5 out of 15 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. You Could Have Been With Me is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since You Could Have Been With Me by Sheena Easton has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With You Could Have Been With Me being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Live For Love | Pat Benatar | F♯ Major | 7 | 2B | 135 BPM | ||
| Love Me | Yvonne Elliman | B Minor | 5 | 10A | 75 BPM | ||
| It Would Take a Strong Strong Man | Rick Astley | G Major | 10 | 9B | 111 BPM | ||
| Release Me | Wilson Phillips | C Major | 5 | 8B | 97 BPM | ||
| Love's Got a Line On You | Scandal | G Major | 9 | 9B | 133 BPM | ||
| Lotta Love | Nicolette Larson | C Major | 10 | 8B | 137 BPM | ||
| You Got It All | The Jets | C Major | 6 | 8B | 135 BPM | ||
| In Your Letter | REO Speedwagon | G Major | 9 | 9B | 131 BPM | ||
| No One Ever Knows | Sheena Easton | B♭ Major | 3 | 6B | 72 BPM | ||
| Can't We Try | Dan Hill, Vonda Shepard | A Minor | 3 | 8A | 120 BPM | ||
| Sacred Emotion - Live | Donny Osmond | C Major | 5 | 8B | 167 BPM | ||
| If You Remember Me | Chris Thompson | G Minor | 8 | 6A | 138 BPM | ||
| Wheels Of Life | Gino Vannelli | A♭ Major | 5 | 4B | 123 BPM | ||
| Don't Leave Me This Way | Sheena Easton | F♯ Major | 4 | 2B | 91 BPM | ||
| Don't Give up on Us | Dan Hill | D Major | 5 | 10B | 60 BPM | ||
| Love Takes Time (Nashville Mix) | Orleans | B Minor | 9 | 10A | 127 BPM | ||
| Three Times In Love | Tommy James | E Major | 4 | 12B | 126 BPM | ||
| Room To Move | Animotion | B♭ Minor | 9 | 3A | 201 BPM | ||
| Jesse | Carly Simon | C Major | 6 | 8B | 107 BPM | ||
| Sacred Emotion | Donny Osmond | D Major | 6 | 10B | 168 BPM | ||
| Sooner or Later | Rex Smith | B♭ Major | 7 | 6B | 149 BPM | ||
| I Just Wanna Stop | Gino Vannelli | A Major | 5 | 11B | 139 BPM | ||
| Shame | The Motels | C Major | 7 | 8B | 118 BPM | ||
| I'd Rather Leave While I'm In Love | Rita Coolidge | A♭ Major | 6 | 4B | 132 BPM | ||
| At This Moment | Billy Vera & The Beaters | F♯ Major | 3 | 2B | 81 BPM |