"Drey (feat. Drey)" by Paul Edwards, D-Rey had its release date on April 21, 2017. Drey (feat. Drey) is considered explicit and may contain foul language. This song is about 3 minutes and 6 seconds, which is about the average length of a typical song. The track order of this song in Paul Edwards's "Money and Record Sales" album is number 5 out of 8. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Drey (feat. Drey) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Drey (feat. Drey) by Paul Edwards, D-Rey to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Am Bigfoot | Paul Edwards, Ryan Edwards | E Minor | 2 | 9A | 104 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Praise My Soul the King of Heaven | John Goss, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins | G Minor | 1 | 6A | 66 BPM | ||
| Christ is the morning star | John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | F Major | 1 | 7B | 108 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| Psalm 130: 'Out of the deep have I called unto Thee, O Lord' (after Purcell) | James Turle, The Choir Of Westminster Abbey, Martin Neary | F Major | 0 | 7B | 83 BPM | ||
| Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | A♭ Minor | 0 | 1A | 68 BPM | ||
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | ||
| O Clavis David | Gabriel Jackson, Choir of Merton College, Oxford, Benjamin Nicholas | C Major | 1 | 8B | 78 BPM | ||
| Missa Christi, Festival Mass: III. Sanctus and Benedictus | Kenneth Leighton, The Choir of The Queen's College Oxford, Owen Rees, Ben Gilchrist, Rudyard Cook | E Major | 2 | 12B | 133 BPM | ||
| Adoramus Te, Domine Deus | Margaret Rizza, Kevin Mayhew Ltd | F Major | 1 | 7B | 69 BPM | ||
| Short Service: Nunc dimittis (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 74 BPM | ||
| Weihnacht | Erhard Mauersberger, Isura Madrigal Chor, Johannes Buxbaum | E♭ Major | 0 | 5B | 70 BPM | ||
| Wash Me Throughly | Samuel Sebastian Wesley, Emilia Hughes, Choir of Clare College, Cambridge, James McVinnie, Christopher Robinson | G Minor | 1 | 6A | 138 BPM | ||
| The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Psalm 25 "Unto Thee, O Lord, Will I Lift Up My Soul" | John Goss, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| Black Elk Visionary | Paul Edwards | C Major | 4 | 8B | 118 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM |