Gokul Sharma's ' "Mara Sanvariya Toh Jhulan Jaaye" was released on its scheduled release date, August 31, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Mara Sanvariya Toh Jhulan Jaaye and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Mara Sanvariya Toh Jhulan Jaaye is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mara Sanvariya Toh Jhulan Jaaye by Gokul Sharma to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nar Mane Budho Batave Hai | Prakash Gandhi, Pushpa Sankhla | F♯ Minor | 8 | 11A | 110 BPM | ||
| Aayi Karni Pdegi Shyam Meri Arji | Shiksha Chhattar | E♭ Minor | 4 | 2A | 140 BPM | ||
| Salasaar Bajrangi | Mohan Sharma | D♭ Major | 8 | 3B | 159 BPM | ||
| Pyar Ko Tui Taar Tod Kar | Samay Singh Peelwal | F♯ Minor | 10 | 11A | 115 BPM | ||
| Sankat Harne Baba Aaya | Mahesh Nagar | D♭ Major | 8 | 3B | 140 BPM | ||
| छौटी छौटी छाती सेव जैसा गाल मेवाती | Akram Khan Khushpuri, SAHIL JATOLIYA | E Minor | 10 | 9A | 140 BPM | ||
| Guru Bina Suna Desh | Krishan Sanwariya | B Minor | 9 | 10A | 89 BPM | ||
| Ram Sumira Le Praniya | Prem Nath | B Minor | 9 | 10A | 80 BPM | ||
| Dil Me Tu Hirda Me Tu Mandfiya Wala Sanwriya | Prakash Mali Mehandwas | D Major | 9 | 10B | 95 BPM | ||
| Mor Banadu | KB Naredi | A Minor | 10 | 8A | 85 BPM | ||
| Aayo Janmdiwas Subh Inder Mat Ro | Ramavtar Marwadi | F♯ Major | 7 | 2B | 82 BPM | ||
| Thare Madh Jyot Jagau Karni | Ramavtar Marwadi, Kavi Pranjal | D Major | 9 | 10B | 132 BPM | ||
| Darudo Mat Piyo Bhavarji | Paras Panwar | B Minor | 9 | 10A | 79 BPM | ||
| Ar Asa Ki Hobe Mago | Nayan Das | F♯ Major | 9 | 2B | 109 BPM | ||
| Duniya Dekh Li Re | Sunita Swami, Raju Swami | E Major | 9 | 12B | 86 BPM | ||
| Hun Vichora Gawara Nai | Tajammal Mansoor Malangi | D♭ Major | 8 | 3B | 140 BPM | ||
| Likh Likh Massage Bhejati | Mohan Saran, Raveena Choudhary | D♭ Major | 10 | 3B | 90 BPM | ||
| Radhe Radhe Ratte Tere Kam Ban Jaaye | Gokul Sharma | D♭ Major | 8 | 3B | 140 BPM | ||
| Guru Mhara Paras Pawan Su Jina | Sunita Swami | F♯ Major | 9 | 2B | 85 BPM | ||
| Kheteshwar Guru Brahma Avtari | Bhawani Singh Kolu | B♭ Minor | 9 | 3A | 80 BPM | ||
| Sada Sukhi Thev Tya Cheharyala | Rushikesh Warbhog, Kishor Jawale | D♭ Minor | 10 | 12A | 173 BPM | ||
| Thaka Bank Mein Sanvariya Mari Naukari Lagva Do | Bablu Rajasthani | A♭ Major | 10 | 4B | 110 BPM | ||
| Kala Gaura Re Naam Ki Hai Marod | Gokul Sharma | E♭ Major | 10 | 5B | 90 BPM | ||
| Fando Padgo Mere | Aslam Singer | D♭ Major | 8 | 3B | 140 BPM | ||
| Mandpiya jaba ki mare mein mai jachi | Prem Shankar Jaat | E Minor | 10 | 9A | 115 BPM |