Jay-Jay Johanson, Amina, Léonard Lasry's ' "Why Wait Until Tomorrow - Remix by Léonard Lasry" was released on its scheduled release date, February 5, 2021. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Why Wait Until Tomorrow by Jay-Jay Johanson. The song's track number on the album is #3 out of 5 tracks. In terms of popularity, Why Wait Until Tomorrow - Remix by Léonard Lasry is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Why Wait Until Tomorrow - Remix by Léonard Lasry by Jay-Jay Johanson, Amina, Léonard Lasry has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Why Wait Until Tomorrow - Remix by Léonard Lasry being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Show Me The Face | Michelle Gurevich | A Major | 3 | 11B | 188 BPM | ||
| My Tunnels Are Long and Dark These Days | Asaf Avidan | G Minor | 3 | 6A | 180 BPM | ||
| Mephistopheles | Jacinthe | C Minor | 6 | 5A | 162 BPM | ||
| Destiny - The Toxic Avenger Remix | Gods Of Venus, Jay-Jay Johanson, The Toxic Avenger | A♭ Major | 3 | 4B | 107 BPM | ||
| Roads | Bristol | E Minor | 4 | 9A | 130 BPM | ||
| By The Cathedral | Keren Ann, Quatuor Debussy | D♭ Major | 3 | 3B | 110 BPM | ||
| Roger Moore | Rover | B Major | 5 | 1B | 128 BPM | ||
| Harvest Moon | Jane Birkin | D Major | 2 | 10B | 108 BPM | ||
| Dancing Alone | Magnetic Ensemble, Jeanne Added | F Minor | 5 | 4A | 105 BPM | ||
| Breathing Fine | Oren Lavie | A Minor | 0 | 8A | 82 BPM | ||
| No One Knows | Olivier Libaux, Inara George | C Minor | 5 | 5A | 134 BPM | ||
| Stars at Noon | Tindersticks | G Major | 2 | 9B | 78 BPM | ||
| Dead End Playing | Jay-Jay Johanson | B♭ Minor | 4 | 3A | 150 BPM | ||
| I Should Have Known | Roseaux, Anna Majidson | D Minor | 1 | 7A | 134 BPM | ||
| I Love Paris (feat. Jeanne Added) [Live at l’Olympia, Paris] | The Dø, Jeanne Added | C Major | 2 | 8B | 92 BPM | ||
| Paper Masks | Brazzaville | E Minor | 5 | 9A | 120 BPM | ||
| Mysteries | Beth Gibbons, Rustin Man | F Major | 2 | 7B | 100 BPM | ||
| Lost Forever | Jay-Jay Johanson, Robin Guthrie | F♯ Minor | 6 | 11A | 101 BPM | ||
| Summer Wine | Alex Kapranos, Clara Luciani | D Major | 8 | 10B | 142 BPM | ||
| What A World | Joan As Police Woman | C Major | 4 | 8B | 84 BPM | ||
| Temptation | Michelle Gurevich | E Minor | 4 | 9A | 125 BPM | ||
| Non Credere | Róisín Murphy | F Minor | 2 | 4A | 146 BPM | ||
| Km 83 | Françoiz Breut | D♭ Minor | 4 | 12A | 114 BPM | ||
| Russian Romance | Michelle Gurevich | F Minor | 7 | 4A | 140 BPM | ||
| Fragments | Shannon Wright | D Minor | 4 | 7A | 105 BPM |