Bama's ' "What Makes A Work Song Leader?" was released on its scheduled release date, August 5, 1997. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. What Makes A Work Song Leader?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Prison Songs, Vol. 1: Murderous Home, "Historical Recordings From Parchman Farm 1947-48" - The Alan Lomax Collection". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, What Makes A Work Song Leader? is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With What Makes A Work Song Leader? by Bama having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Travelling Back Home | Johnny Shines | E Minor | 1 | 9A | 89 BPM | ||
| I Need to Sing | The Last River Bottomed Fig Plucker | B♭ Minor | 6 | 3A | 127 BPM | ||
| Father, I Stretch My Hands To Thee | Othar Turner | E Major | 1 | 12B | 134 BPM | ||
| Such | Charles Spencer | G Major | 6 | 9B | 152 BPM | ||
| By The Spoonful | J.D. Short | G Major | 3 | 9B | 115 BPM | ||
| I'm All Dressed Up | Snow Shine | D Major | 2 | 10B | 144 BPM | ||
| Hadn't I Been Good to You | Charles Caldwell | A Minor | 6 | 8A | 113 BPM | ||
| Jesus Is Real to Me | Mary Lee | C Major | 4 | 8B | 102 BPM | ||
| Transition | ZABUZA, Bama | D♭ Major | 5 | 3B | 136 BPM | ||
| The World, She's Windin' Up | Cora Fluker, Ola Mae Bell | E♭ Major | 3 | 5B | 131 BPM | ||
| Joe Lee's Rock | Boy Blue | C Major | 5 | 8B | 108 BPM | ||
| In the Silence | Jazzmere | E Major | 2 | 12B | 139 BPM | ||
| Laughing to Keep from Crying | Mississippi Joe Callicott | B Major | 3 | 1B | 131 BPM | ||
| JOROKO | Saintangel | A Minor | 0 | 8A | 81 BPM | ||
| Keep My Head Up | Akizzo Swift | E Major | 2 | 12B | 139 BPM | ||
| Radically | ShowBoy | D Major | 1 | 10B | 133 BPM | ||
| Denver Blues | Tampa Red | C Major | 2 | 8B | 84 BPM | ||
| Booze and Blues | Ma Rainey | E Major | 2 | 12B | 139 BPM | ||
| Skydive | Bama, Belvy Jones | D♭ Minor | 7 | 12A | 109 BPM | ||
| Down South Blues | Dock Boggs | D Minor | 4 | 7A | 103 BPM | ||
| Why Yall Hating | Saint James 502, Bama | D♭ Major | 7 | 3B | 139 BPM | ||
| Sugar Mama | Sonny Boy Williamson II | E Major | 2 | 12B | 139 BPM | ||
| Black Snake Moan | Blind Lemon Jefferson | E Major | 2 | 12B | 139 BPM | ||
| Bad Decisions | Cadence Union | E Major | 6 | 12B | 117 BPM | ||
| Covenant Keeping God | Chimdylyn | G Minor | 0 | 6A | 81 BPM |