"Daahoud" by Mark Masters Ensemble had its release date on August 26, 2003. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Clifford Brown Project". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Daahoud is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Daahoud by Mark Masters Ensemble having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transcendental | The Sunset Hill Jazz Band, Paul Rossy | G Minor | 5 | 6A | 111 BPM | ||
| Melancholy of Rita | Antonio Faraò, Stéphane Belmondo | A♭ Major | 6 | 4B | 135 BPM | ||
| Cascada | Pol Omedes, Joan Casares, Giuseppe Campisi, Dena DeRose, Lluc Casares | D♭ Major | 4 | 3B | 105 BPM | ||
| Flocons | The Sunset Hill Jazz Band, Paul Rossy | A Minor | 4 | 8A | 147 BPM | ||
| Fire in the Hole | Mark Masters Ensemble | C Minor | 0 | 5A | 119 BPM | ||
| Love's Away | Mark Masters Ensemble, Gary Smulyan | D Minor | 3 | 7A | 121 BPM | ||
| Boody | Mark Masters Ensemble, Oliver Lake, Tim Hagans, Peter Erskine, Dave Carpenter | F Major | 3 | 7B | 154 BPM | ||
| The Day We Said Goodbye | Yoko Miwa Trio | A♭ Major | 6 | 4B | 135 BPM | ||
| My One And Only Love | Mark Masters Ensemble, Oliver Lake, Tim Hagans, Peter Erskine, Dave Carpenter | G Major | 1 | 9B | 112 BPM | ||
| Mean Greens | Something Else!, Vincent Herring | B♭ Minor | 4 | 3A | 109 BPM | ||
| Japanese Torii | raLoki | A♭ Major | 6 | 4B | 135 BPM | ||
| Frame for the Blues | Michael Dease, Nanami Haruta, Jack Trathen, Xavier Davis | A♭ Major | 6 | 4B | 135 BPM | ||
| The Sponge | L'Equipe Lab | F♯ Major | 7 | 2B | 144 BPM | ||
| Love Letters | Eric Alexander | A♭ Major | 5 | 4B | 92 BPM | ||
| Nutmeg Signal | Smooth Groove Atelier | C Major | 3 | 8B | 108 BPM | ||
| Banu Hoshech Legaresh | Itamar Erez, Itamar Erez Trio | D Minor | 4 | 7A | 98 BPM | ||
| Late Set Ending | Sky Bar Session | C Major | 5 | 8B | 117 BPM | ||
| The Happening | Mark Masters Ensemble, Gary Smulyan | F Minor | 5 | 4A | 107 BPM | ||
| Used to Be Duke | Mark Masters Ensemble, Gary Smulyan | C Major | 5 | 8B | 102 BPM | ||
| St. Lucia | Lexingtone | A♭ Major | 6 | 4B | 135 BPM | ||
| Entre Nosotros | Dj Kakarita30 | A♭ Major | 6 | 4B | 135 BPM | ||
| Crusin | Captain Jazz, Peter Nordahl Trio | B♭ Major | 6 | 6B | 102 BPM | ||
| Nocturnal sun | Nils Janson | A♭ Major | 6 | 4B | 135 BPM | ||
| Wake up | harizonaa | A♭ Major | 6 | 4B | 135 BPM | ||
| Sound Between Beams | Silas Moonray | A♭ Major | 6 | 4B | 135 BPM |