Ramkhilawan's ' "Chana Ke Dal Raja" was released on its scheduled release date, September 1, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Chumma Le La Raja by Nanhelal Khanaiyalal, Ramkhilawan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Chana Ke Dal Raja's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chana Ke Dal Raja by Ramkhilawan is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Taan Pagal Hae | Maratab Ali | G Major | 6 | 9B | 105 BPM | ||
| Wari Mein Wari Jawan | Sher Miandad Khan | D♭ Major | 8 | 3B | 135 BPM | ||
| Kalali | Sadik Khan Mirasi | G Major | 8 | 9B | 188 BPM | ||
| Ham Hai UP Wale | Ruchi Yadav | A♭ Major | 10 | 4B | 116 BPM | ||
| Ganja Pike Raja Chadhaiba Kaise Jal | Ujala Yadav | G Major | 9 | 9B | 75 BPM | ||
| Jholi Saadi Bhar Jaungi (Asi Gallaan Vich Paake Parne) | Parvez Peji, Saleem | D♭ Minor | 10 | 12A | 110 BPM | ||
| Kaluva Ninnu Pommanna Gani | Durgaiah | G Major | 9 | 9B | 113 BPM | ||
| Zumenge Gajal | Ramkhilawan | F Minor | 7 | 4A | 161 BPM | ||
| Kehre Darzi Tun Suit | Wajid Ali Baghdadi, Nooran Lal | A♭ Major | 8 | 4B | 114 BPM | ||
| Jind Tere Na | Jashandeep | G Major | 9 | 9B | 131 BPM | ||
| Dropadi Ka Swayamvar | Tarun Baliyan | F♯ Minor | 9 | 11A | 133 BPM | ||
| Manad Manad Muskaye Part 3 | Surjan chaitanya | A Major | 6 | 11B | 97 BPM | ||
| मारा सतगुरु आंगन आया | Prakash Das Ji Maharaj | D♭ Major | 7 | 3B | 92 BPM | ||
| Tharo Re Veero Ji Gadi Chalave | Habib Khan | A Major | 7 | 11B | 121 BPM | ||
| Lakhanwadi Cha Data | Savidhan Manohare | E Major | 9 | 12B | 172 BPM | ||
| Ve Sohne Ganj Shakar | Sher Miandad Khan | E Minor | 8 | 9A | 82 BPM | ||
| Gaji Silak Ki Saree Layde | Brijesh Shastri | D♭ Major | 6 | 3B | 97 BPM | ||
| Sawal Sunder | Bhai Davinder Singh Sodhi | B Minor | 9 | 10A | 96 BPM | ||
| Dhokhebaaj | Ravina Ranjan | E♭ Minor | 9 | 2A | 155 BPM | ||
| Bhabhi Teri Gudhai Me Laya | Rajbala, Nardev | E Minor | 9 | 9A | 132 BPM | ||
| Saansein Rooth Gayi | Sufi-Punjabi | E♭ Major | 6 | 5B | 101 BPM | ||
| Guru Vandana | Anil Nagori | E♭ Minor | 9 | 2A | 90 BPM | ||
| Deewana Bana Rakha Hai | Original Qawwali | DervishBeats | A Major | 7 | 11B | 114 BPM | ||
| Meri Aakho Me Aashu Deke Muskurate Ho | Jhullur Dada | D♭ Major | 10 | 3B | 126 BPM | ||
| Tan Man Rang Lo | Abdul Habib Ajmeri | F Minor | 2 | 4A | 120 BPM |