- BPM
- 101
- Key
- F♯ Major
- Camelot
- 2B
Tomorrow Shall Be My Dancing Day by Sir David Willcocks, The King's Singers Song Details
Sir David Willcocks, The King's Singers's 'Tomorrow Shall Be My Dancing Day' had a release date set for October 22, 2021. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 25 in Christmas Carols with The King's Singers by The King's Singers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Tomorrow Shall Be My Dancing Day is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Tomorrow Shall Be My Dancing Day by Sir David Willcocks, The King's Singers is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -21.363 dB
- Acousticness
- 98%
- Danceability
- 42%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 64%
- Speechiness
- 12%
- Valence
- 38%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fauré: Requiem, Op. 48: VII. In paradisum | Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra | D Major | 1 | 10B | 103 BPM | |
 | Rise up, my love, my fair one, Op. 314 | Healey Willan, Matthew Larkin, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 137 BPM | |
 | Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | |
 | Praise My Soul | The Choir of St. Mary's Episcopal Cathedral | D Major | 1 | 10B | 76 BPM | |
 | Psalm CXXII | Richard Woodward, Michael Bloss, Choir of St John's, Elora, Noel Edison | A Major | 1 | 11B | 172 BPM | |
| Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Minor | 1 | 6A | 69 BPM | |
 | Advent | Markus Fricker, Schweizer Vokalconsort, Marco Amherd | F Major | 1 | 7B | 112 BPM | |
 | Kyrie (From Mass in Eb) | The Concordia Choir, René Clausen | E♭ Major | 1 | 5B | 84 BPM | |
 | O Come, All Ye Faithful | Christ Church Cathedral Choir of Men and Boys, Indianapolis | G Major | 2 | 9B | 96 BPM | |
 | Mass in D Minor - Missa in angustiis ("Nelson Mass"), Hob. XXII:11: Credo: Et resurrexit | Joseph Haydn, Sylvia Stahlman, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks | A♭ Major | 2 | 4B | 86 BPM | |
 | Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | |
 | The Mass: Qui Tollis | Patrick Cassidy | A Major | 2 | 11B | 85 BPM | |
 | Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | |
| Come, Holy Ghost, Our Souls Inspire | Choir of St Mary's Cathedral, Edinburgh | E♭ Major | 0 | 5B | 110 BPM | |
 | The Shepherd's Carol | Bob Chilcott, Utah State University Chamber Singers, Cory Evans | D Major | 0 | 10B | 110 BPM | |
 | Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | |
 | Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM | |
 | Sweet Sacrament Divine | Francis Stanfield, Carleton Etherington, Benjamin Nicholas | D Major | 1 | 10B | 142 BPM | |
 | The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | |
 | Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | |
 | Praise, My Soul, the King Of Heaven | John Goss, Henry Francis Lyte, Choir of Jesus College, Cambridge, Richard Pinel | D Major | 2 | 10B | 74 BPM | |
 | Glow | Eric Whitacre, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta, Paweł Wajrak, Katarzyna Łukawska, Tomasz Sobaniec | G Major | 0 | 9B | 79 BPM | |
 | Christe, qui lux es et dies: Christe, qui lux es et dies | William Byrd, Stile Antico | G Minor | 0 | 6A | 86 BPM | |
| Psalm CXXXI | Sir David Willcocks, Michael Bloss, Choir of St John's, Elora, Noel Edison | A Major | 1 | 11B | 172 BPM | |
 | Les chansons des roses: No. 5, Dirait-on | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 0 | 3B | 77 BPM |
- ISRC
- GBLLH2168304
- Label
- L-M Records/RCA Records